Alle afleveringen
160 afleveringen, van nieuw naar oud
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Jayna Zweiman, Welcome Blanket
17 oktober 2026 · 54 min
Jayna Zweiman wants to wrap the world in kindness and warmth. Lees meer
She founded Welcome Blanket in 2017 as an invitation to crafters to make handmade blankets for refugees who have just arrived in the United States. She pictured 2,000 miles of yarn and thread, as long a distance as the proposed wall along the southern border. Instead of a barrier keeping people apart, Jayna wondered, was there a way to bring them together? That question became the inspiration for Welcome Blanket, transforming the idea of a line of division into an invitation to create something welcoming and inclusive.
Nearly a decade later, crafters have far exceeded the initial goal. With more than 8,000 blankets made and distributed so far, she has set a new goal: 36,521 blankets, enough to circle the Earth. In 2026, the project received the Golden Scissors Award for Social Impact, which recognizes leaders in the craft industry.
Giving a Welcome Blanket is straightforward:
Make a 40" x 40" blanket by hand, using any technique and materials you like (as long as they're easy to care for). It should be difficult to give the blanket up because you love it so much.
Include a note of welcome that shares something about your own experience of immigration, migration, or relocation.
Send the blanket and note to be distributed through one of Welcome Blanket’s partner organizations or shown first at one of the organization’s public exhibitions.
The connection to the immigrant experience is personal for Jayna, whose grandfather told her about his first look at the Statue of Liberty when he immigrated to the United States. As she points out, though, each person’s experience of migration and relocation is unique, from the Pilgrims to relocated indigenous Americans to recent arrivals. Many Welcome Blanket crafters aren’t sure what to write in their welcome notes, but whatever the personal history, the notes are the opportunity for connection and shared feeling of humanity.
Refugee families often arrive with …
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What to Make Next: The Yarn Barn of Kansas List of Great Project Books
10 oktober 2026 · 28 min
The best project books not only combine gorgeous designs with clear instructions, they also expand your fiber-arts horizon with a trip to a new part of the world, a collection of the best ideas of fellow crafters, an in-depth tour of a great technique, or the chance to incorporate your favorite non-fiber hobby. Here are some of the best project books that the Yarn Barn of Kansas loves to share. Lees meer
Crochet
The Tunisian Crochet Handbook by Toni Lipsey
A collection of wearable designs from complete novice to accomplished crocheter skill levels. Features 20 patterns.
Knitting
Knit Like a Latvian: Mittens by Ieva Ozolina
Colorwork handcoverings with a traditional shape and graphic, surprisingly modern patterns. Features 50 patterns.
Nordic Sailor’s and Fishermen’s Sweaters by Lotte Rahbek and Gitte Verner Jensen
With simple shapes and classic motifs, these historically inspired sweaters look like the best of contemporary Scandinavian knitwear. Features 23 patterns.
Traditional Danish Sweaters
Based on nattrøjer (night sweater) patterns, this collection of includes 11 complete designs and 200 charted motifs to customize your own sweater.
Charming Colorwork Socks and Joyful Colorwork Socks by Charlotte Stone
Sweet sock patterns, many whimsical, for any season or mood. Each book includes 25 sock patterns.
The Sock Project and The Sock Obsession by Summer Lee
A variety of colorwork, texture, and plain designs with instructions for several construction methods. Lee’s basic sock pattern is a mainstay at Yarn Barn! Each book includes 25 sock patterns.
52 Weeks of Accessories from Laine
One of the generous pattern collections from the Finland-based publisher, this collection includes projects from a number of desigers. Other books in the series include Socks (volumes I and II), Easy Knits, and Scarves.
Weaving
Interlaced: The Weavers' Guild of Boston Celebrates 90 Years of Friendship and Education
With projects for bags, scarves, rugs, and more, this collection …
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Sally Pointer, Experimental Archaeologist
3 oktober 2026 · 49 min
How did people make and use the textiles we’ve created for millennia? From nalbinding to netting to bast fiber processing, Sally Pointer looks for answers by working with her hands. Lees meer
Some fiber crafts are as old as humanity, even recorded in cave paintings. Some fiber crafts are so little practiced now that they’re considered endangered. For textile historian (and prehistorian) Sally Pointer, they’re entirely vital and full of new discoveries.
The Heritage Crafts Red List of Endangered Crafts tracks more than 150 crafts in the UK practiced by so few people that they may disappear within a generation or so, and it names the known practitioners. Sally’s name appears twice, once for nalbinding and once for bast fiber processing. Those are far from her only fiber fascinations; she is currently at work on a book about netting, and she speaks passionately about splicing and cordage-making.
Nalbinding is plagued by misconceptions: that it’s solely a Viking craft, an early form of knitting, only interesting for reenactors, or slow to work. Nalbinding—It’s Not Knitting, Sally’s 2026 book, presents it as a useful contemporary craft still practiced around the world. The technique is as useful for creating twenty-first-century socks as for the ancient Egyptian examples excavated from archaeological sites.
As an experimental archaeologist, Sally not only looks at ancient textile finds; she tries to understand how they were made and used. Looking at an artifact and guessing how it was used can breed misconceptions; experimental archaeologists test those guesses to learn what it was like for the people who used them. “This is almost allowing us to touch the hand of the original maker for a fleeting moment,” Sally says. “And that is spine-chilling at times.”
Links
Sally’s website
Sally’s current book is Nalbinding—It’s Not Knitting
Lime Bast: Harvest, Preparation and Use by Sally Pointer and Chiz Harward
Find Sally’s free videos on fiber processing and textile techniques a…
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Melissa M. Littlefield, Reinventing Wool
19 september 2026 · 43 min
How could you possibly improve on wool, the perfect fiber? In the 20th century, scientists thought they could do just that. Some of their innovations have disappeared . . . but some remain. Lees meer
In the middle of the 20th century, with technology promising a modern lifestyle that would be newer and better in every way, wool fiber began to look old-fashioned. The incredible demand for wool up through World War II began to wane, and the apparent miracle of synthetic fiber reached American homes.
Yet sheep still formed the backbone of some states’ economies, and they kept producing wool. If only there were some way to make it easier to wash and prevent moths from eating clothes, carpets, and furniture, modern households might still have a place for wool. And if wool fiber was less important, maybe there was another use for fleece.
In her new book, Reinventing Wool, Professor Melissa M. Littlefield takes us through the history of four innovations that sought to bring wool into the modern era: Woolite synthetic detergent, machine-washable wool, the chemical insecticide EQ-53, and extraction methods for lanolin. From a national roadshow featuring a starlet bathing a lamb in a tub of Woolite to a toxic DDT-containing fabric treatment, the improvements range from everyday to strange. Yet in their own ways, each of the treatments imagined a place for wool in a rapidly changing world.
Littlefield talks about how her research spoke to her personally as a spinner, knitter, and small-batch wool yarn producer. Decades after these groundbreaking “improvements” to wool, most of our furniture isn’t vulnerable to moth damage anyway. Lanolin is a common ingredient in both personal care and industry. And crafters debate the value of machine-washable wool, even as we find it in every yarn shop. Who could have predicted where wool would go?
Links
Reinventing Wool
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they lov…
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David Richie, Green Mountain Spinnery
5 september 2026 · 45 min
A small group of Vermonters wanted to improve the environment and preserve the rural character of the state. Along with two friends, David Richie and his wife found a way: they founded the Green Mountain Spinnery. Lees meer
David Richie and his wife, Diana, wanted to keep their home state and region green and farm-friendly. Believing in thinking globally and acting locally, they joined a reading group in the late 1970s with others interested in conservation and social responsibility. Concerned about the environmental dangers of nuclear power in New England, their friends Claire Wilson and Libby Mills found themselves in jail after protesting a nearby power plant, giving them time to talk about what they could do to make a difference on a smaller scale. Claire asked, “When I see so many sheep here in Vermont, why do I have to order my weaving yarn from Sweden?”
Farmers’ markets had begun to arise, bringing produce from the field to home cooks in the heart of the city, letting small-scale farmers keep more of their profits by selling direct. Why not do the same for shepherds and make their sheep’s wool available to weavers? As knitters and weavers, Claire and Libby knew about using yarn, but none of the four knew anything about operating a wool mill, let alone starting one. Undaunted, they took one step after another: they wrote a business plan, purchased an old gas station as their new facility, and began purchasing mill equipment.
And so began an adventure that has passed 45 years and is still gathering steam.
Learning to produce yarn—understanding the equipment, downstream (literally) effects, sourcing fibers—is an ongoing process. The Spinnery makes thousands of pounds of yarn each year for farmers, yarn companies, and their own store, but they continually refine the process, from improving their wastewater handling to switching over to more eco-friendly spinning oil. Although David began without fiber experience, his influence is felt in every part of the tightly-pack…
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Karen Elting Brock, PieceWork
22 augustus 2026 · 41 min
A love of words, stories, and cloth led Karen Elting Brock around the world and back to PieceWork. Lees meer
”All This by Hand” appeared on the first covers of PieceWork magazine, intended to capture the scope of material between the covers. Stitching, lacemaking, and other needlework, certainly, but other handwork, fashion, and the artisans who created the work all found their way into the pages of the magazine. The scope of the project—worldwide, from historical to contemporary, from anonymous to celebrated—has made it beloved by its readers and also difficult to explain. All this by hand, indeed.
Karen Elting Brock first joined the staff of PieceWork in 2010, working with authors who were artisans or had stories to tell. From her desk, she pored through the collections of international museums and chased down photographers for just the image that would tell the story of a textile. After several years on the editorial staff, she moved on to experience global stories for herself, living in (and sending dispatches from) Nepal, Morocco, and other international locations. Even (or especially) in remote villages, textiles and makers continued to find her.
In 2025, Karen was ready to return to Colorado, and PieceWork welcomed her to the editor’s seat. As of recording time, Karen has brought some of her ambitions for the publication to fruition—she’s especially excited about the Fall 2026 Museum Issue and the new reader-fed international museum directory—but she has a list of other ideas she’s eager to explore. In this episode, we explore some of her favorite textile stories and some of her plans for the future.
Links
PieceWork issues and website
PieceWork’s Blue & White Issue, released in Summer 2026
International Needlework Museum Directory
“Knitting on Peru’s Taquile Island” by Linda Ligon
“Spinning Giant Nettle in the Himalayas”
Karen’s posts for pieceworkmagazine.com
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitch…
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Lir Shilton, Ribblr
8 augustus 2026 · 51 min
As a budding crochet designer, Lir Shilton ran into obstacles and annoyances that many beginning crafters face. But instead of learning to live with them, she and her partner decided to make a platform that offers a different approach. Lees meer
Lir loved to crochet, and she especially loved creating designs to share with other makers. But crochet patterns vary significantly depending where you are in the world—and not just in translating centimeters to inches. Was that a British double crochet or an American double crochet? Did the directions mean to work the decreases 5 times or 5 more times? Which of the 9 sizes did this direction apply to? What color was A?
As Lir described her frustrations to her husband, Saar Oron, he asked the simple, obvious question: “Why is it like this?” With a background in building online communities, he wondered why there wasn’t an app for designers to present patterns and for crafters to consume them in a more user-friendly way. Sometimes it takes a newcomer to ask the question everyone else has stopped asking.
Along with a developer, the pair formed Ribblr, an online community and pattern platform that supports projects in knitting, crochet, and sewing. Patterns on Ribblr allow you to hide unused sizes, cross off completed rows, change colors, and change measurements and instructions to your preferred regional settings. Users can join groups in the site’s forums for support and track projects there. Although the company is based on creativity through technology, they draw one line firmly: the projects on Ribblr must be human-created, not made with AI technology. (Lir even wrote a song about it!)
For the month of August 2026, Long Thread Media and Ribblr are hosting a Market Day Challenge: Create a booth presenting your handmade crafts (at an actual crafts market or an imagined setup), submit a journal entry with a photo of your booth, and enter for a chance to win 50 Gems that you can use to purchase patterns on Ribblr.
Links
Ribblr
Ma…
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Emily Whitted, Texile Historian
25 juli 2026 · 40 min
A pair of silk stockings, mended again and again below the ankle, set Emily Whitted on the path of discovery that has led her through archives and museums of early American history. The stockings belonged to Philadelphia’s Stephen Girard, who was one of the wealthiest men in America. Museum records didn’t mention the mends, though the socks had been repaired several times, making them as invisible to historians examining records as anyone Girard met on the street. Textiles were valuable in the early 19th century, and even a wealthy man wore stockings mended by one of the women of his household. Lees meer
Mending, darning, and repair became the subject of Emily’s doctoral thesis at the University of Massachusetts Amherst, a project she has nearly completed. Her research into mending has led her to investigate how repaired clothing could identify a person trying to self-emancipate, how well repaired clothing could indicate moral character, and how groups of men repaired not only their belongings but also sails in maritime life.
Emily was drawn into the history of textiles by her interest in the role of cloth in women’s lives. With a background in public history (presenting information about the past to non-specialists), she recently curated an exhibition at the Webb Deane Stevens Museum in Connecticut about the variety of samplers that early American girls stitched. Although we generally think of samplers as purely decorative showpieces, darning samplers demonstrated practical skill in mending, too.
As a badge of creativity and conservation, mending has recently taken center stage, with visible mending as a badge of honor. Emily Whitted’s historical research shows just how much we have in common not only with the girls who stitched samplers but also the invisible hands that repaired the cloth of early Americans.
Links
Read more about Emily’s research: “A Historical Antidote to Today’s Fast Fashion Culture,” UMass Amherst College of Humanities & Fine Arts
“Stockings once …
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Books off the Beaten Path: The Yarn Barn of Kansas List of Hidden Gems
18 juli 2026 · 44 min
Book Club Podcast: What lesser-known treasures do Yarn Barn fiber artists love to share? Susan and Melissa share some of their favorites in weaving, spinning, and knitting. Liz Gipson drops by to talk about one of her books that Susan and Melissa adore. Lees meer
Book-loving crafters generally have a few special titles tucked on the shelf between the major must-have references: a self-published monograph, a slim paperback, or an in-depth look at an esoteric technique. In this episode, Susan Bateman and Melissa Parsons return with more hidden gems from the shelves at Yarn Barn of Kansas. Special guest Liz Gipson also joined us to talk about her own book on choosing yarn.
Multishaft Weaving
Weaving Designs by Bertha Gray Hayes: Miniature Overshot Patterns by Norma Smayda, Gretchen White, Jody Brown, and Katharine Schelleng
This delightful collection of overshot patterns are refreshingly short-repeat and often asymmetrical, a playful and inspiring way to experiment with a traditional structure. Melissa’s so enthusiastic about the book that she loves to introduce it to any weaver.
Krokbragd: How to Design & Weave by Debbie Greenlaw
Friendly and accessible, this introduction to the colorful Scandinavian weft-faced structure covers both rigid-heddle and multishaft looms. The book includes several projects, including an irresistibly cute farm sampler.
Krokbragd: Contemporary Weaving with Colour by Angie Parker
A more technical take on krokbragd, this is aimed at weavers who already have some experience under their belt, with a more contemporary design sensibility and beautiful photography throughout.
M’s + O’s: A Contemporary Look at a Traditional Weave Structure on 4-shafts by Suzi Ballenger
This brand-new 70-page monograph invites weavers to take a fresh look at an underexplored structure. Ballenger’s examples and designs show M’s and O’s with contemporary style and unexpected laciness. Although M’s and O’s isn't generally Melissa’s favorite structure, this book inspire…
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Loretta Pettway Bennett, Gee's Bend Quilter
11 juli 2026 · 36 min
A fifth-generation quilter from the legendary community of Gee’s Bend, Alabama, Loretta Pettway Bennett turns well used cloth into her own expressions of color and community. Lees meer
Loretta Pettway Bennett began her quilting journey as a child, threading needles for her mother as she sewed scraps into bedcoverings. The women in the town of Gee’s Bend pieced quilt tops and got together to hand quilt their work, a tradition that spans decades. Loretta’s first quilt was an ambitious Flower Garden hexagon design that she cut and sewed entirely on her own when she was 12 years old. Half a century later, quilting is woven into Loretta’s life, as it is for her sister, aunts, cousins, and ancestors.
Although quilting has always been part of her life, Loretta’s vision is uniquely her own. In the early 2000s, Loretta decided to embrace her own style and gave herself the freedom to enjoy making quilts in her own way. She decided to resist rules that seams line up perfectly or that only certain colors go together. Instead, she lets the quilt make itself and invites the colors to talk to each other.
Working with thrifted and gifted material, she chooses the fabrics that speak to her (bright colors, few prints) and especially loves the pieces that have been well used and mended. The contemporary interest in thrifting and mending is a simple fact of life to Loretta, as natural as eating. Several of her designs include denim jeans, patched knees and all.
In 2002, the Museum of Fine Arts, Houston mounted a major exhibition of quilts from Gee’s Bend, and Loretta saw her quilting traditions in a new light. A quilt that her mother made to cover her bed, on which Loretta and her sister had laid on the floor, was described as art in one of the country’s most important art museums. Standing in the exhibit, she says, “. . . the more I looked at the quilts, the more I started seeing what [viewers] saw in the quilts.”
Today, Loretta’s own quilts are part of museum, corporate, and U.S. State D…
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Diana Wiley, Handspun Hope
27 juni 2026 · 43 min
With no background in fiber but a calling to help women in need, Diana Wiley built a thriving organization on handspun yarn, needlefelted gorillas, and a holistic community for over 200 women. Lees meer
Stepping into the Handspun Hope booth at a fiber festival feels like entering a luxury boutique filled with natural fibers, colorful yarns, handmade buttons, and whimsical sculptures. It would be easy to enjoy the offerings without wondering about the company’s name—not only “handspun” (yes, the yarns on offer have all been spun by hand) but also “Hope.” The proceeds from everything sold in the booth are returned to women whom the company supports in Rwanda.
A decade after the bloody genocide in Rwanda had come to an end, Diana felt called to help the women living in its aftermath. She had volunteered in relief efforts in other parts of Africa, but her thoughts returned again and again to the plight of Rwandan women making their lives in the aftermath of HIV, extreme poverty, and the long shadow of conflict. Connecting with a former colleague who directed World Relief in Rwanda, she visited the country in 2007. What she saw moved her so greatly that within two days she had quit her corporate job to devote herself to helping.
Diana had no previous experience in yarn, and Rwanda had no local wool culture. Diana wondered if the wool from sheep she came across could be made into yarn, but the first samples she sent to fiber experts weren’t suitable for spinning. She found a handful of Merino rams from an failed government breeding project in the country, imported a group of Merino ewes from Kenya, and Handspun Hope began their handspinning program.
Once the sheep were found, the group had to develop spinning skills, first with handspindles and eventually with spinning wheels, and the women learned to dye the yarn with plants. They have added angora rabbits and yarns, too. Women also sculpt the group’s wool into imaginative ornaments and sculptures by needlefelting. Through th…
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Pamela K. Schultz, Spin Off
13 juni 2026 · 43 min
As Spin Off nears 50 years old, editor Pamela K. Schultz sees herself as the host of a wonderful spinning party that welcomes one and all. Lees meer
Taking a day off from the grind of law school, Pamela Schultz visited an art fair and saw a spinner with a spinning wheel. A longtime knitter, she had resisted suggestions that she learn to spin, but the rhythm of treadling and drafting offered an antidote to her stress. She had a few hiccups at the beginning, fighting against unsuitable fiber and unloved tools, but eventually she was hooked.
Within a few years of learning to spin, as her passions for spinning and other crafts grew, Pamela found herself teaching others to spin using resources from Spin Off’s website. When she had the opportunity to deepen her craft, she dove deeply into not only knitting and spinning but also weaving and other fibery explorations. In 2024 she became Spin Off’s content editor and in 2025 took the helm.
Pamela keeps in mind those experiences as a beginning spinner and a teacher of beginners as she develops the editorial plans for Spin Off’s magazine, website, and video offerings. She describes what goes into building a balanced issue—inspiration, project patterns, tutorials, and community— and what it takes to bring it all to life. For a publication nearing 50 years, Spin Off focuses on finding the right balance of foundational basics, brain-tickling invitations to exploration, and rigorous deep dives into spinning technique.
In this episode, hear Pamela’s take on the particular joy spinners take in sharing our craft, find out what a first-timer at SOAR should know, and learn about the free resources from teaching guides to video courses that Spin Off offers alongside the magazine.
Links
Spin Off website
Spin Off Autumn Retreat (SOAR)
The Spinning Teacher
A Twist on Color braid-spinning course with Kate Larson (free video on YouTube and the Spin Off site), with a full course available
The Great Aspineration teaching resources are availab…
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Reweaving Marguerite Porter Davison’s Handweaver’s Pattern Book
30 mei 2026 · 47 min
Among four-shaft weavers, A Handweaver's Pattern Book is commonly referred to by just the author’s name—Davison—or as “the green book,” a reference to the iconic cover of many of the book’s printings. Since Marguerite Porter Davison first published it in 1944, it has been a foundational reference, the first book that many weavers buy and the one they keep close at hand. Packed with drafts and photographs for overshot, twill, crackle, and dozens of other structures, it’s the weaver’s answer to The Joy of Cooking: a starting point for design, a resource for understanding a structure, and a map for exploration. Although it remained in print for decades, it became unavailable in 2005, and the weaving community felt the loss. Lees meer
For the past several years, a group of nearly 100 weavers and other volunteers has been working to bring it back. Weavers from guilds from coast to coast have nearly finished reweaving all of the book’s samples—more than 1,200 of them—in color. Technical reviewers have created contemporary drafts. The original instructions for sinking-shed looms have been adapted to the jack looms more common in most weavers’ studios. Despite the updates, the project’s north star has been to honor Davison’s voice and intentions. The updated edition, to be published by Schiffer Craft, is expected in summer 2027.
Leading the effort is Caroline Cooley Browne, who happens to be Marguerite Porter Davison’s granddaughter. Davison died when Caroline was a baby, but she grew up hearing stories from her mother of warping looms in Marguerite’s attic studio, of train rides to the printer, of the woman who traveled to numerous guilds because she loved being with other weavers. When the copyright to the 1951 edition eventually came to Caroline through her family, she knew what to do with it, and she enlisted a team of eager volunteers to help bring the new edition to life.
In this episode, Caroline is joined by Donna Johnson of the Whidbey Weavers Guild, who coordinates volu…
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Kate Larson, Farm & Fiber Knits
16 mei 2026 · 40 min
Editor, teacher, and shepherd Kate Larson makes the case that every knitter is already part of the farm-to-fiber story—whether they know it or not. Lees meer
Kate Larson is the editor of Farm & Fiber Knits and a beloved teacher of spinning, knitting, and weaving. She took time out from lambing season to talk about the magazine’s goals.
Kate Larson isn’t making a magazine only for farmers and handspinners. In this episode, she talks about what Farm & Fiber Knits is really for: helping knitters connect with the natural fibers they love. Whether you’re buying wool at a yarn store, tracking down a small-batch skein at a farmers market, or dreaming about rare fibers from around the world, Kate makes the case that you’re already part of this story—you just might not know it yet. When developing new issues of the magazine, she looks for stories to bring that world to life, with armchair journeys to fiber traditions as far afield as the Faroe Islands and Madagascar. The magazine’s patterns are designed to work for any contemporary knitter using a wide range of yarns from one-of-a-kind to available everywhere.
Nearly twenty years of teaching have shaped Kate’s approach to designing the new Farm & Fiber Knits retreats, including a recent trip to farms in New Hampshire and Vermont where participants met shepherds, handled fleeces, and watched the connection between knitter and fiber come to life in participants’ hands.
Listen in to hear Kate push back on the myth that sheep are stupid, learn what Farm & Fiber Knits offers for knitters at every point on the natural-fiber spectrum, and hear the story of a shepherd seeing yarn from her own flock for the very first time.
Links
Farm & Fiber Knits magazine and website
Farm & Fiber Knits retreats
SpinOff magazine
Spin Off Autumn Retreat (SOAR)
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yar…
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You Need This Book! The Yarn Barn of Kansas Required Reading List
10 mei 2026 · 39 min
Book Club Podcast: Fiber art veterans Susan Bateman and Melissa Parsons compare notes with host Anne Merrow about the books every weaver, spinner, knitter, and crocheter should have on the bookshelf—plus big news about a classic weaving directory. Lees meer
They’re the first books you reach for, the ones you’ll never part with, and the first thing you recommend to every new crafter. If you have only one book on weaving, spinning, knitting, and crochet, make it one of these. In this episode of the Long Thread Podcast, three book lovers talk about what reading material we’d never be without.
Multishaft Weavers
Technique Books
Learning to Weave by Deborah Chandler
The classic book on four-harness weaving, this updated edition includes clear and approachable explanations, illustrations, and instructions for warping both from front to back and back to front.
Weaving for Beginners, Revised and Updated by Peggy Osterkamp
Another look at weaving fundamentals, Osterkamp’s thorough book is especially strong in back-to-front warping.
Pattern Directories
Big news for “The Green Book”—A Handweaver’s Pattern Book by Marguerite Porter Davison
The first version of Davison’s four-harness pattern directory was published in 1944, and weavers have been hunting for used copies since it went out of print decades later. A group of weavers has been quietly working on a major new edition, with new samples woven in color and contemporary drafts, which Schiffer Publishing will release in 2027! Handwoven and Yarn Barn of Kansas join the crowd of weavers eager to add the new book to our shelves.
A Weaver’s Book of 8-Shaft Patterns from the Friends of Handwoven, edited by Carol Strickler
Organized by structure and endlessly browsable, this is the book 8-shaft weavers keep within reach when dreaming up a new project.
Rigid-Heddle Weavers
Ashford Book of Rigid Heddle Weaving by Rowena Hart
A thorough guide to the fundamentals, this is unbeatable for its step-by-step warping and threading pho…
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Angela Tong, Multidisciplinary Maker
2 mei 2026 · 51 min
Knitters and crocheters know Angela Tong as a designer with hooks and needles, while weavers recognize her work in rigid-heddle and pin looms. Visitors to galleries and artisan markets know her as a potter. Angela thinks of herself simply as a maker, always drawn to creating beauty with her hands. Lees meer
Her first professional job set the tone: after earning a degree from the Fashion Institute of Technology, she produced fine platinum jewelry for Tiffany & Co. But beginning in her teens, she keenly felt the urge to learn to knit. A colleague at that first job taught her the knit stitch—just the knit stitch—and opened the world of fiber arts for her. Discovering a talent for clarifying instructions while test knitting other designers’ work, she began submitting designs for publication. Although she had not initially pictured herself as a teacher, that skill of clear explanation led her to teaching, and she eventually became a certified knitting instructor.
Angela discovered another fiber-arts love in PieceWork March/April 2010, which featured pin looms on the cover. She tracked down a handmade pin loom from a small maker, wove a doll blanket, and never looked back. Her pin-loom and rigid-heddle designs regularly appear in Little Looms, and she is a popular instructor at Weave Together events.
In each of her crafts, Angela’s style is symmetrical and refined, with an emphasis on finishing that she describes as a through line in everything she makes, from pottery to pin-loom blankets.
Whatever the medium, Angela brings the same exacting eye and genuine delight in craft — whether she's warping a loom, trimming a pot, or teaching a roomful of students to hem stitch.
Links
PieceWork March/April 2010 featured a pin-loom blanket on the cover.
Angela’s pin loom videos Creative Pin-Loom Designs and Weave Patterns on the Pin Loom are available from Long Thread Media.
Angela was featured in the pilot episode of the proposed Swatch series.
This episode is brought to you by:
T…
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Amy Sadler, Knitty
18 april 2026 · 49 min
Before Ravelry, before knitting podcasts, before the internet fully found its craft obsession, there was Knitty. Amy Sadler shares the inspiration and evolution of the online knitting phenomenon. Lees meer
In the early 2000s, as the internet became part of daily life for millions, Amy Sadler began a knitting blog. The blog movement connected knitters around the world (whether newbies or longtime stitchers) and sparked friendships and inspiration. Amy participated in a blog ring, which directed readers from one blog to another, and saw the opportunity to collect and present the clever patterns and ideas that were cropping up around the web. She put out a call for patterns, her husband coded the website, and she released the first Knitty in Fall 2002.
Since the first issue, Knitty has released 95 issues (and counting), becoming one of the most respected and longest established knitting periodicals currently published in any format. Knitty was the first publication to include patterns by knitting stars including Cookie A, Gudrun Johnston, Ysolda Teague, Stephen West, and Kate Gilbert. The magazine’s technique section has offered groundbreaking new ideas including Jeny’s Magic Cast-On. Knitty was at the forefront of the sock-knitting craze in the 2000s and a leader in the push for expanded size ranges (its garments are sized from XS–5X).
And access to Knitty’s patterns and articles has always been free to users. Amy is Knitty’s only full-time employee; the publication pays contributors for their work and commissions professional technical editing for every pattern. To support Knitty, a longstanding Patreon program invites readers to fund the magazine directly.
More than 20 years in, as the knitting community and the internet have seen dramatic shifts, Knitty continues to welcome new voices and connect knitters worldwide with fresh ideas.
Links
Knitty
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they lo…
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Coming Soon: The Yarn Barn of Kansas Book Club
15 april 2026 · 2 min
What new craft books are can't-miss? Which are the classic reference books that every crafter should have on the shelf? In the Yarn Barn of Kansas Book Club, teachers and book lovers talk about the books they wouldn't be without. Lees meer
Sponsored by Yarn Barn of Kansas
Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your “local yarn store” with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com to shop, learn, and explore.
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Curtis Gregory, George Washington Carver National Monument
4 april 2026 · 23 min
Best known for his work with peanuts, renowned agricultural scientist George Washington Carver had a lifelong passion for needlework. Park Ranger Curtis Gregory shares stories about Carver’s interests in handwork and natural dyeing. Lees meer
Born in 1865 near Diamond, Missouri, George Washington Carver is one of the best known and most respected agricultural scientists in the history of the United States. Before his death in 1943, Carver “created 325 uses for peanuts, 108 applications for sweet potatoes and 75 products derived from pecans. Some of the products he created include chili sauce, meat tenderizer, instant coffee, shaving cream, and Worcestershire sauce,” according to the National Park Service website. Park Ranger Curtis Gregory stewards the scientist’s legacy and shares stories of his life at the George Washington Carver National Monument, which is located at Carver’s birthplace.
Even in his most industrious decades, as Carver obtained a masters degree, taught at the Tuskegee Institute, and worked in a laboratory, he kept his hands busy with needlework. Any crafter today will relate to his recollection in a 1931 letter: “If I had leisure time from roaming the woods and fields, I put it in knitting, crocheting, and other forms of fancy work” (quoted in Kremer, Gary R., ed., George Washington Carver in His Own Words (Columbia, Missouri: University of Missouri Press, 1987), 128.)
Carver used uncommon materials and foraged natural dyestuffs in his work, drawing on his childhood love of painting. He designed projects not only to express his own creativity but also to inspire poor tenant farmers and sharecroppers who wanted to improve their homes. Gregory describes a handsewn table mat fashioned from cotton stalks and botanically dyed, a treasured example of a man who saw value where others did not.
Links
George Washington Carver National Monument
George Washington Carver Center at the Tuskegee Institute
“George Washington Carver.” National Park Service
“The Sc…
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Heather Torgenrud, Pick-Up Bandweaving
21 maart 2026 · 47 min
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Gudrun Johnston, The Shetland Trader
7 maart 2026 · 1 uur 3 min
Gudrun Johnston has a deep legacy in Shetland knitting: her father’s family comes from the islands, and her mother founded a knitwear company that blended contemporary silhouettes with Fair Isle motifs, a business she called the Shetland Trader. But although Gudrun grew up wearing her mother’s designs, she didn’t learn to knit from her. Growing up largely elsewhere in Scotland, she learned the craft as a child, but it didn’t become central to her life for decades. Lees meer
She eventually fell in love with knitting, thousands of miles from Shetland. In 2007, she published her first design, a skirt in a hemp-blend yarn for her daughter. From that point, knitting and Shetland drew her back more and more. Developing her own design style, she incorporated stitches and motifs from traditional knitting and found a deep affinity with yarn milled locally from the traditional dual-coated sheep. As generations of local knitters did before her, she draws on elements from elsewhere but gives them a distinctly Shetland flair.
Although knitters worldwide know about haps and Fair Isle knitting today, the island’s knitting tradition has faced economic threats over the years. Many knitters practiced the craft to make a bit of income, and a better-paying option (an oil terminal that opened in the mid-1970s) led to the dwindling of the cottage knitting industry. However, in tandem with the active local guild, Shetland Wool Week, and the new Shetland Organisation of Knitters, local knitters have preserved their traditions and are happy to share their knowledge.
Gudrun unites her own style with her Shetland roots in her designs, most recently the book Grand Shetland Adventure Knits, which she co-authored with her friend Mary Jane Mucklestone. She is at work on a new book exploring colorwork in a collection of knitted vests.
Links
Grand Shetland Adventure Knits by Gudrun Johnston and Mary Jane Mucklestone
See Gudrun’s tutorials and podcast episodes at her YouTube channel
Find the Identity …
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Christina Garton, Little Looms
21 februari 2026 · 43 min
Christina Garton didn’t get to be the editor of Little Looms by taking weaving too seriously. Lees meer
First introduced to weaving in a class post-college, she joined Handwoven as assistant editor in 2011. She developed her passions for editing and weaving while working on both multishaft and rigid-heddle looms. Although she still loves working on her four- and eight-shaft looms, she was surprised to discover that she loves the hands-on, up-close nature of hand-manipulated weaving.
With the launch of Little Looms in 2016, Christina began exploring the horizons of pin looms, rigid-heddle looms, and inkle looms. She’s found that you can make amazingly clever, versatile, and beautiful cloth on even the simplest loom.
Listen in to find out who Christina defines as a real weaver, learn how to see your work in the magazine’s pages, and hear a preview of a new project coming from Little Looms this fall.
Links
Little Looms magazine
Zoo Crew by Deborah Bagley
Articles by Christina Garton on LittleLooms.com and HandwovenMagazine.com
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
If you love knitting, quilting, and all things fiber, you have to check out the new Fiber + Fabric Craft Festival. It’s brought to you by the team behind h+h Americas, premier craft trade shows across the U.S. They have something for everyone—from consumers to retailers to manufacturers. Come shop, learn, and get inspired.
Learn more at FiberFabricCraft.com.
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Chick Colony, Harrisville Designs
7 februari 2026 · 42 min
Small textile towns were once common in New England, with stout brick buildings harnessing the power of the region’s water to mill yarn and cloth. The Colony family had been owners of a mill in Harrisville, New Hampshire, since before the Civil War, but by the mid-twentieth century, such factories had begun to disappear. In 1970, 53 mills closed in New England, the Colony family’s among them. John Colony (known as Chick) returned from serving in the Coast Guard to a mill town without a working mill. Lees meer
Chick saw that the small town would wither unless a new project came in to fill the gap. After considering the options, he had the idea: What better use could there be for an old mill village than to make yarn? So shortly after his father and uncle closed down the mill, Chick opened a business making woolen yarn on some of the same old equipment. The new endeavor was scaled back in scope, but yarn was coming from the old mill buildings once again under the label of a new company, Harrisville Designs.
The town’s buildings and surrounding watershed became the center of a historic preservation effort. More than 50 years later, Harrisville is known as the best preserved early textile village in the country.
Harrisville Designs’s woolen-spun yarns are dyed in the wool, blending 12 or 13 brightly dyed fibers into dozens of subtle heathered hues. Initially developed for weaving, the yarns have become popular among knitters looking for yarns with character.
The next generation, Chick’s son Nick Colony, has taken on management of the mill, developing knitting yarns such as their Nightshades color line and small-batch Shear as well as updating the company’s energy production and manufacturing facilities.
Harrisville Designs has produced a range of weaving looms for decades, but the youngest weavers probably know the company for their potholder looms. Realizing that the potholder loops and looms on the market were poor quality, Harrisville developed a metal loom and experimen…
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Jane Cooper, The Lost Flock (classic)
24 januari 2026 · 1 uur 14 min
The picture of a flock of primitive-breed sheep, the last of their kind, living on an island off the northeast coast of Scotland, has a certain romance to it. Plenty of knitters, spinners, fiber artists, and citizens of the modern world might idly dream of living on such an island and tending such a flock. With no background as a farmer and only a few years as a shepherd, Jane Cooper decided to bring that dream to life. Lees meer
Enchanted by the fiber of the Boreray sheep, and with her life transformed by a class on knitting with rare breeds, Jane decided to buy a small parcel of land and start a spinner’s flock by adopting a few wethers from another farmer. In a short time, however, she found herself with more land—and more sheep—than she planned for. And so began her adventure as the shepherd of the “lost flock,” a group of sheep whose ancestors had escaped the official registry.
Since obtaining her first sheep in 2013, Jane not only developed her own breeding program but established several other breeding flocks in the Orkneys. She has explored the recent and ancient history of her sheep, from the Vikings who used dual-coated wool in their sails to the breed registries established in the 20th century (and traced how her own sheep came to be called “the lost flock.”)
This episode is brought to you by:
Treenway Silks
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed.
Links
Orkney Boreray website
The Lost Flock book by Jane Cooper US edition and UK edition
Blacker and Beyond Ravelry group
Blacker Yarns and The Natural Fibre Company
Woolsack British wool websi…
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Elena Kanagy-Loux, Lacemaker & Historian (classic)
10 januari 2026 · 52 min
When you picture lace, what comes to mind: an old-fashioned once-white piece of Victorian embellishment? The elegant, possibly itchy decoration on a wedding gown? If you are a needleworker, you might picture an array of bobbins leashed to a cluster of pins and arrayed on a pillow, or a tatting shuttle, or a steel crochet hook. All of these images would be correct—but capture the tiniest slice of the world’s laces. Lees meer
As a PhD student, Elena Kanagy-Loux considers lace through the lenses of history, culture, and gender. How have textile artisans around the world developed lace strutures? Who was making lace—and who was wearing it? (For what matter, what is lace, anyway?) Beyond our assumptions about lace are delightful surprises: Wearing lace previously denoted power and wealth rather than femininity. Traditional lace may include a riot of color. Although they look delicate, lace fabrics can be surprisingly durable.
Outside her academic pursuits, Elena takes a more hands-on view of lace. Having studied a variety of methods, she fell in love with bobbin lace, which seemed to click in her mind when she sat down at a lacemaking pillow. Like most of our readers, Elena generally creates lace for her own interest and enjoyment, though she has accepted several notable commissions: a collar presented to Justice Ruth Bader Ginsburg by Columbia Law School on the 25th anniversary of her investiture to the Supreme court, and a collar designed for the Threads of Power exhibit at the Bard Graduate Center. In addition to her own work, she teaches extensively, finding an audience of needleworkers eager to learn bobbin lace or improve their skills. She co-founded the Brooklyn Lace Guild, which offers classes as well as a community of lacemakers
Elena often hears from non-makers, “Isn’t that a dying art?” She replies—in her classes, her needlework, and her wardrobe (which often includes lace in her colorful, contemporary style)—“Lacemaking is a thriving art!”
Links
Elena Kanagy-Loux…
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Laverne Waddington, Backstrap Weaver (classic)
27 december 2025 · 52 min
Laverne Waddington discovered weaving by accident—bike accident, to be precise. Recuperating from a mountain biking crash in Utah, she discovered a book on Navajo weaving and was immediately intrigued. A local exhibit of Diné textiles enthralled her, and she set about learning to weave in the Navajo style. Returning to Patagonia, where she had been living, she built a simple loom and explored weaving on her own until it became clear that she would need to move north to satify her hunger for weaving knowledge, settling in Bolivia. Lees meer
Over the following decades, Laverne traveled in South and Central America, learning backstrap techniques from indigenous weavers. Her curiosity has led her to the Andean Highlands, Guatemala, and other regions to learn hand-manipulated and pick-up methods and patterns from skilled local weavers.
Laverne loves to explore complex and intricate weaving styles, enjoying the way that each inch of warp and weft passes through her hands in a variety of pick-up techniques. Weaving on a backstrap loom, she sits inside each weaving project. Through videos, online classes, books, and ebooks, she teaches other weavers how to set up a backstrap loom for themselves and weave a variety of patterns. Teaching backstrap and pick-up techniques is as much a part of her practice as deepening her understanding of the weaving structures.
In this episode, discover Laverne Waddington’s passions and processes.
Links
Laverne has maintained a blog and weaving journal on her website since 2009.
Laverne’s books are available from Taproot Video.
Laverne offers a number of tutorials of techniques she practices as well as videos of a variety of weaving techniques and traditions.
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfu…
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Masey Kaplan & Jen Simonic, Loose Ends Project (classic)
13 december 2025 · 59 min
When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take on this one, a pair of crocheted blankets for two very tall sons. Lees meer
If the two of them were happy to finish a loved one’s unfinished craft project, they thought, other fiber artists would be willing to do it, too—fiber artists with a variety of craft skills. And there must be families of deceased crafters who weren’t lucky to know someone personally who could take on the task but would treasure having a finished item that their loved one began for them. So began Loose Ends, an organization that Jen and Masey think of as matchmakers for heirs and finishers of uncompleted works,
Loose Ends, which was established in May 2023 as a 501(c)3 nonprofit, set out to build a network that connects volunteer crafters with local families to complete projects that were left unfinished by death or disability. Hanging flyers near their homes, Jen and Masey quickly found finishers and projects in crochet, knitting, and quilting. Loose Ends currently seeks finishers in any textile handcraft and matches finishers with projects across the world. Projects under way include weaving, embroidery, and beading, as far afield as Alaska, Switzerland, and the Netherlands. Their informational flyer is now available in 12 languages.
You may be surprised to learn that for about 2,000 projects in process, 25,000 volunteers have signed up as finishers—so crafters far outnumber craft projects at this time. But Loose Ends is always looking for more volunteer finishers, both to cover a variety of crafts and to match families with nearby finishers when possible.
Any of us who love making things with our hands hate to think of our work in progress going to was…
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Amy Oxford, Oxford Punch Needle
29 november 2025 · 54 min
As a college student and weaver, Amy Oxford fell in love with the punch-needle method of rug hooking almost by accident, a surprising benefit from a babysitting gig. She followed her interest from doing piece work on existing designs to creating large commissioned rugs in her own business. In 1995, she started the Oxford Company to sell supplies and education for punch needle crafters worldwide. Lees meer
The basic techniques of punch needle are straightforward enough to teach in a few minutes, but the opportunities for creativity in line, texture, and color have kept Amy enthralled for 40 years. After completing several large commissioned works, she found herself with repetitive strain injuries in her hand and arm, and she began dreaming of a tool that would let her work pain-free. Partnering with a woodworker and inventor, she developed the Oxford Punch Needle, a groundbreaking wooden-handled tool with a curved grip that’s comfortable to push and pull through fabric.
Along with manufacturing her own tool and selling hand-dyed yarn and supplies, Amy expanded her reach by teaching the technique, then opening a school that certifies instructors in her methods. Amy has also authored a number of books, most recently Intermediate & Advanced Punch Needle Rug Hooking: Techniques, Projects, and Inspirations with co-author Louise Kulp.
Since selling her company in 2024, Amy has returned to punch needle just for the joy of it. “I can just make whatever I want and not have to tell anyone how I’ve done it,” she says. “I can just play, which is what my students have gotten to do. . . . And so I’m having a lot of fun now punching just for this sheer pleasure of it.”
Links
The Oxford Company website
The Oxford Rug Hooking School
Oxford Punch Needle Handbook
Amy Oxford’s books are published by Schiffer Craft.
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinnin…
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Jordana Munk Martin, Tatter
15 november 2025 · 1 uur 1 min
At an unexpected juncture in her life, artist Jordana Munk Martin turned to the legacy of her grandmother’s trove of textile books. Edith Wyle founded the Craft and Folk Art Museum in Los Angeles in 1973, curating unconventional exhibits and instilling a love of art in her family. Her granddaughter found inspiration and comfort in the books, then opened the library for other artists to explore. Lees meer
That original collection is now the core of Tatter, a nonprofit organization named for soft, worn, well-used textiles. It includes the iconic Tatter Blue Library, an array of classes, a journal, and retail. “We’re really a conversation about cloth, housed in a cultural arts organization,” says Jordana.
Tatter’s educational offerings began with classes in stitching, adding online classes and presentations when in-person learning became unavailable. One longstanding subject is the World Embroidery Series, which has offered detailed instruction in dozens of stitches and introduction to the rich cultural origins.
The library invokes the cultural and spiritual connotations of the color blue. In an elegant dark blue–paneled space, the collection includes not only books but also drawers of buttons, a collection of swatches following the stitch patterns in Barbara Walker’s knitting treasuries, tools, and textiles. Tatter’s holdings now include treasured collections of 12 women: embroidered samplers, thimbles, darners, textiles, tools, and a luxurious assortment of fiber art books and periodicals. The Brooklyn Museum recently transferred 200 objects to Tatter, reflecting the organization’s deep and growing Brooklyn roots.
Like Tatter, our conversation combines cultural inquiry with human connection.
Links
Read Jordana’s description of the Tatter Blue Library at “The Building of a Library.”
Fina a list of Tatter’s online and in-person classes.
The third issue of Tatter’s journal, entitled Blue, is available online.
Read updates on the organization’s new home in Brooklyn’s Cul…
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Mary Anne Wise, Multicolores
1 november 2025 · 54 min
Fiber artist Mary Anne Wise first went to Guatemala hoping to collect local textiles and inspire her own practice. Just one visit wasn’t enough, and she visited several more times, eventually offering a class in rug hooking to local women artisans. Although the women didn’t have a rug-hooking tradition, they did have abundant material: tons of tee shirts from “donations” that are often shipped to the area, discarded, and burned. After the success of that first class, the idea of creating a cottage industry that would benefit women throughout Guatemala took hold. Called Multicolores, the project is now a nonprofit organization officially recognized in Guatemala. Lees meer
The women join the program to support their families and improve their living conditions. And although many of them cannot read or write, all have something to say through the work of their hands. Mary Anne developed a curriculum of design principles that helped the women market their work in the international market. Although some are also weavers, not all of the women were producing textiles before joining the program. Drawing on family stories and cultural influences as well as their own imaginations, they design hooked rugs and other pieces that find their way to buyers around the world. Mary Anne and her coauthor, Cheryl Conway-Daly, told the story of Multicolores in a book, Rug Money.
In the United States, drawing on their love of fabric and experience in interior design, Mary Anne and a friend decided to start a home goods shop specializing in artisan cloth. Based in Wisconsin, Cultural Cloth offers the handwork of artisans not only from Multicolores but from 30 countries worldwide. Although they have sold the shop to new owners, Mary Anne continues to work there one day a week . . . and the inspiration for her own fiber art that initially led her to Guatemala has begun to rise again.
Links
Multicolores website
The Art of Being exhibit website
Rug hooking tour with Multicolores
Rug Money: How a…
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Sahara Briscoe, Creative Multicrafter
18 oktober 2025 · 1 uur 21 min
Sahara Briscoe has a challenge for you: Do more with yarn. Knit your spinning, spin your knitting, rug hook with yarn, paint on your swatches, embroider with yarn, and question your assumptions about what your stash is for. Lees meer
Working from a compact Bronx studio, Sahara can’t be easily classified under any label ending in -er except New Yorker. She spins, weaves on all kinds of looms, dyes, knits by hand and machine, crochets, hooks rugs, embroiders, designs custom fabrics for a range of clients, teaches, and writes, switching happily between them all and combining them as her interests lead her. At present, she is excited about scrappy knitting and a series of hooked-rug trivets. ”My textile life runs under two phrases: What if? And why not?” she says. Instead of staying in craft silos, where we pursue just one set of techniques at a time, she urges fiber folks to combine crafts fearlessly.
In both her personal work and commissioned work, she is drawn to crafting for home. Surrounding herself with textiles she loves, especially ones that transform some treasured stash into something useful, make her life more enjoyable at the same time they promote a low-waste, circular way of living. “For me, beautiful home textiles . . . Well, it‘s like us as women,” she says. “We have to be durable. We have to perform a lot of tasks, you know, and we have to hold up and still look good.”
“My whole design practice and textile practice is about—why can’t the everyday look beautiful?”
Links
Sahara Briscoe’s Instagram
Sahara’s Super String Theory Design custom textile studio
Cochenille Design Studio computer design software
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild sil…
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Bea Bonanno, Wooldreamers
4 oktober 2025 · 49 min
In the history of wool, Spain means Merino, the legendary finewool sheep so prized that their export fell under royal control. From their Spanish origins, Merino genetics formed the basis of wool breeds around the world. The foundations of most finewools, especially in Australia and the United States, count Merino as a major contributor. Apart from Merino, the Spanish sheep carried by colonizers to the Americas transformed those societies—consider the Spanish Churro in the vital Navajo-Churro breed. Lees meer
Over the last century, the wool industry in Spain has weakened, with sheep increasingly bred for meat and cheese. The once-prized Spanish wool became a burden rather than a benefit, as some wool went to compost or was even burned (sadly, a common practice in many places). In 2019, one family-owned mill that spun hearty yarn for the rug industry received a request from a handdyer looking for yarn made from Spanish wool. Seeing a new opportunity for Spanish wool, the mill’s owner decided to found Wooldreamers in 2020 to produce yarn for crafters.
Wooldreamers’ line of yarns includes wool from a number of flocks: sheep that travel along traditional shepherding routes, the rare Navarra breed, some of the finest Merino available from family-owned ranches, and the sheep that produce Manchego cheese. In addition to bringing one-of-a-kind yarns to crafters around the world, Wooldreamers provides income to the ranchers who are preserving and reviving the legacy of Spanish wool.
Weaver and fiber artist Bea Bonanno became part of the Wooldreamers story when her grandmother, who raises a small flock of sheep near Avila, Spain, encountered Wooldreamers in her search for a mill. Having worked at the landmark yarn shop Yarn Barn of Kansas, Bea has experience not only in using yarn but helping customers undertand the properties of their materials. Since taking on distributorship of Wooldreamers in the United States, she has relished telling the story of the company’s yarns and its i…
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Anne’s Book Club: Anna Hultin, Louisa Owen Sonstroem & Safiyyah Talley, Storey Publishing
27 september 2025 · 54 min
This is Anne’s Book Club, a spotlight episode of the Long Thread Podcast where we share conversations about exciting new craft titles. This episode features three new books from Storey Publishing: The Stitched Landscape by Anna Hultin, The Handsewn Wardrobe by Louisa Owen Sonstroem, and Knitting Cowlettes by Safiyyah Talley. You’ll hear a conversation with each of the authors, followed by an excerpt of some of my favorite passages. I was excited to choose each of the titles to feature, and I hope you enjoy the conversations and the books as much as I have! Lees meer
The Stitched Landscape: An Embroidery Field Guide to the Textures, Colors, and Lines of the Natural World
Anna Hultin has so much to teach you—to stitch, of course, but mostly to see. With a background in art education and a habit of looking closely at the land around her, Anna offers concrete skills as well as encouraging prompts to develop your own relationship with where you are.
Her book includes step-by-step projects, detailed instructions for common plants, and techniques for sketching, stitching, and painting your own personal landscape. Her book gently pushes embroiderers who might be reluctant to consider their work as art toward creativity, exploration, adaptation, and staking their own ground, all within the frame of an embroidery hoop.
From Anna’s introduction to The Stitched Landscape:
This isn’t your typical embroidery book. Although it has plenty of embroidery patterns
for you to follow, more than anything this book offers in-depth practice of the artistic process—from the spark of inspiration to a final piece and everything in between. I hope you will learn as much about observing the land as you do about embroidery.
Whether you are picking up a needle and thread for the first time or have experience as a
fiber artist, and wherever you are in the seasons of your life, my aim is to inspire you to grow in your creative practice. The projects are meant to build your skills and offer opportuni…
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Sarah Pedlow, Threadwritten
20 september 2025 · 52 min
Sarah Pedlow was enjoying an artist’s residency in Budapest when a museum visit changed the course of her artwork and her career. In the Ethnographic Museum, displays of traditional clothing and dowry goods from Hungarian villages showed an extraordinary variety of skills. Many of the intricately embroidered pieces spoke to an earlier time—although some had been created not that long ago. Lees meer
One type of embroidery, írásos, particularly captured Sarah’s imagination. Using a straightforward open chain stitch in bold, graphic lines, the style was distinctively Hungarian, with Turkish-influenced motifs reflecting the region’s history. Although she didn’t speak Hungarian (a notoriously difficult language) and had no previous background in fiber art, Sarah was drawn to learn more about the embroidery. She eventually made several trips to an ethnically Hungarian region of Romania, where she met some of the few embroiderers still working in the technique and learned the stitch for herself. Within the community, this style is called “written” embroidery, and writing the patterns is respected as a distinct skill.
After years of traveling in the region and studying with traditional embroiderers, Sarah decided to bring others to experience what she had learned. Working with a local guide, she began leading tours to visit the museums, shops in the markets, and learn directly from the villagers who still practice the art daily.
Sarah’s fine-art work has come to incorporate stitching and textiles. Her interest in traditional fiber arts has also grown beyond írásos to include the Arraiolas stitch practiced in Portugal, another destination for her textile tours, and explorations in the embroidery of Estonia, Bulgaria, and Spain—with more destinations capturing her eye.
Our conversation made me eager to pack and needle and thread and go explore the world—you may get textile wanderlust, too.
Links
ThreadWritten website
ThreadWritten Instagram
Sarah’s studio Instagram
Néprajzi M…
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Nicole Nehrig, Crafter & Psychologist
6 september 2025 · 58 min
Most of us crafters know instinctively that working with yarn, fiber, and cloth makes life better. Believing that handwork is good for our well-being has sparked memes about knitting as “the new yoga” and sold tee shirts that read, “I knit so I don’t stab people.” But feeling good while practicing fiber art is only one of the ways that working with thread adds meaning to life. Lees meer
As a “passionate knitter and yarn stasher, a comparably dispassionate sewist, a novice embroiderer, and a clumsy crocheter,” Nicole Nehrig has experienced this for herself. As a clinical psychologist, she used the tools of her training to examine how women have used needlework to meet their needs and enrich their lives. In stories collected from around the world and through time, she documents how women have stitched their way not only to emotional well being but also self-expression, community, and financial reward in her book, With Her Own Hands: Women Weaving Their Stories. The book combines narrative nonfiction with observations about the shared experience of making meaning while making cloth.
In our conversation, Nicole discusses how her loves of craft and women’s lives came together to tell the shared story of women’s handwork.
Links
Nicole Nehrig’s website
With Her Own Hands: Women Weaving Their Stories
Elizabeth Wayland Barber, Women’s Work: The First 20,000 Years
Nilda Callañaupa Alvarez on the Long Thread Podcast
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Brown Sheep Company is a four-generation family business bringing you hi…
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Anne's Book Club: Swatch Critters & Profile Drafting for Handweavers by Deb Essen (Schiffer Craft)
30 augustus 2025 · 20 min
Anne’s Book Club is a new series of interviews with the authors of new fiber art books that I think Long Thread Podcast listeners will love. This episode features new books by Deb Essen, a frequent contributor to Handwoven and Little Looms. Lees meer
Deb Essen may weave plenty of blocks and squares, but you definitely can’t put her in a box. Not many weavers would release a book about turning pin-loom squares into adorable stuffed animals just a few months before a book about a drafting method for multishaft weaving, but Deb’s curiosity about all things weaving has led her down delightful rabbit holes. (For her book Swatch Critters from the Pin Loom, she wove the whole rabbit!)
In our conversation about weaving, writing, and inspiration, Deb talked about why she’s excited about both new projects. “They’re for people who just like to weave,” she says, “and they’re curious about all different kinds of weaving things.” Listen in for a chat and excerpt from the books.
From Deb’s introduction:
Pin looms appeared on the weaving scene in the 1930s as small wooden frames with nails around
the perimeter that hold yarn to allow the weaving of small squares. The best-known brand
was the “Weaveit” pin loom. Now I have to admit, previous experience with pin looms made out of wood did not make me a fan of pin loom weaving. The wooden looms can be hard to hold comfortably, the weaving needle would catch on the frame edges, and the nails are not always perfectly spaced.
But Schacht Spindle Company’s Zoom Loom resolved all the issues I had with pin looms. The frame is flat plastic that is easy to hold, the pins are placed precisely and securely anchored, the inside edges of the frame are beveled so the weaving needle does not catch a sharp edge when exiting, and as a bonus, the loom frame has directional notations
for winding yarn onto the pin loom. I am in love with these little looms!
From Deb’s introduction:
Welcome to profile drafting—a powerful weaving tool that lets us create…
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Barry Schacht and Jane Patrick, Schacht Spindle Company
23 augustus 2025 · 1 uur 15 min
Some spinners and weavers picture the Schacht Spindle Company’s factory as a large-scale operation churning out equipment by the hundreds. After all, Schacht’s products are easily recognized in stores, studios, and guilds around the world. Others see the handmade touches—such as the ladybug on every Ladybug spinning wheel—and imagine Barry Schacht making every piece by himself. Lees meer
Although Schacht is “a tiny company in a tiny industry,” as Barry says, it has been decades since he built all the equipment himself. About four dozen employees manufacture looms, wheels, and other tools at the factory in Boulder, Colorado; some work their entire careers in the business. Barry has spent decades developing new equipment and refining old models with a new feature or a more effecient process.
Many are surprised to learn that not only does author, editor, and teacher Jane Patrick work at Schacht, but she and Barry have been married for decades. As the editor of Handwoven magazine, she didn’t advertise their relationship, but when her skills were needed in marketing, sales, and design, she joined the business. In addition to her roles at Schacht, Jane has advocated for small-loom weaving on rigid-heddle, inkle, and pin looms to involve new weavers and push the boundaries of design for little looms.
After 56 years, although Schacht Spindle Company is going strong, Barry and Jane decided that it was time for them to hand over the reins. Barry met Paul Vervoorn, the new owner of Louët, at Convergence in 2024, and he saw someone who would continue the family-owned, community-focused, innovation-seeking nature of the company. Barry and Jane had already visited Louët’s facilities in the Netherlands. The two companies announced in May 2025 that Louët would purchase Schacht, allowing Barry and Jane to retire.
In this episode, Barry and Jane share stories from their decades at in weaving and spinning—and look at what’s next.
Links
Schacht Spindle Company
Louët
“Louët Expands Acros…
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Clara Parkes, Bestselling Author and Wool Promoter (classic)
9 augustus 2025 · 50 min
Clara Parkes became many knitters’ guiding light and best friend when she launched Knitter's Review in 2000. One of the early standouts in the early online knitting landscape, the site developed a devoted following for its in-depth, objective yarn reviews and lively forums. Several years after the site's inception, she began writing books, starting with The Knitter's Book of Yarn, which was followed by The Knitter's Book of Wool and The Knitter's Book of Socks. As she explored the yarn industry, Clara carefully maintained a journalist's independence, taking readers along with her as she learned how the yarns we love come to be. Lees meer
After her first three books, which were large-format, full-color, and featured a number of designs, her following works have been memoirs of her literal and metaphorical travels or in-depth narratives reporting about the yarn world. In 2012, she launched the Great White Bale, a combination small-batch yarn experiment and behind-the-scenes tour of the remaining American wool industry, for which she purchased a very special bale of wool and reported on its progress through the process of becoming yarn.
In recent years, she has created several online communities: The Wool Channel, which is devoted to celebrating wool, and The Daily Respite, which offers a moment of wonder and calm each morning. Clara invites knitters and readers to join her in exploring the ways in which wool is a force for good in the world, and how crafters can join in its support.
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
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Hazel Tindall, World’s Fastest Knitter
26 juli 2025 · 53 min
Hazel Tindall can’t remember a time before she knew how to knit. Lees meer
Hazel learned to knit when knitting for sale was the only way that women earned money, when a job outside the home in town was too far to travel. Although her mother found knitting a chore, Hazel liked it, not only knitting sweater yokes for sale but exploring yarns and designs from outside her local sphere. When knitting was work, knitters put down their needles on Sundays, but in time knitting became a pleasure rather than a job for Hazel. She started knitting every day of the week. Eventually she began selling for sale not just sweaters but also designs for sweaters, vests, gloves, hats, and other colorwork designs. Loving color, she avoids sludgy color combinations in favor of bright hues.
One member of the Shetland Guild of Spinners, Knitters, Weavers & Dyers read about a World’s Fastest Knitter competition, and the group believed that they could do better than the current standard. Hazel was found to be the fastest knitter in the group, so off she went to the contest, winning the title. Later, she traveled to Minnesota to defend the title; to her knowledge, she hasn’t been beaten!
Links
Hazel Tindall’s website
Hazel’s patterns
Hazel’s blog
Shetland Museum & Archives
Shetland Guild of Spinners, Knitters, Weavers & Dyers
Shetland Wool Week
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? **Yarn Barn of Kansas)) has been your partner in fiber since…
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Tamara White, Wing & A Prayer Farm
12 juli 2025 · 1 uur 11 min
Tamara White always has one eye on the skies. Whether she’s getting her sheep ready for shearing, welcoming visitors to classes and events on the farm, or watching over the yarn in kettles of natural dye, there isn’t a moment when the weather isn’t on her mind. Although rain and heat make hard work of tending a flock of 100+ sheep plus calves, chickens, and other livestock, Tammy sees her work as a collaboration with Mother Nature. Lees meer
Most yarn production farms consist of hundreds of animals of a single breed, enough to produce consistent batches of single-breed yarn. Tammy’s way is more difficult, but more fun. In addition to her original small group of Shetlands, she has an evolving mix of breeds: sometimes Clun Forest, sometimes Teeswater, and most recently Valais Blacknose, a recent Swiss import dubbed the “world’s cutest sheep.” Wing & A Prayer Farm’s yarn line includes a number of fiber blends, not only to incorporate the farm’s different wools but also to bring the best traits of various breeds together. Creating yarns this way also invites collaboration with other shepherds and a number of small mills to whom she trusts her batch of wool.
The collaboration with nature continues in dyeing the yarn. A self-taught dyer, Tammy creates as many colors as she can with plants that she can grow in her garden or forage on her property.
To support her farm and community, Tammy takes on a wide range of other projects: making soap and pies, selling eggs, hosting classes, and selling breeding stock to other shepherds. It’s an enormous amount of work, but Tammy talks about her farm with such joy that it hardly sounds like a chore.
Links
Wing & A Prayer Farm website, Instagram, Facebook, YouTube, and Patreon
Natural dyeing, felting, soapmaking, and other scheduled workshops
Find a schedule for the farm shop or make an appointment to visit the yarn shop and apothecary
The story of Valais Blacknose sheep at the farm
New England Farm & Fiber Festival
Find yarn, fiber, …
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Madelyn van der Hoogt, The Weaver’s School
28 juni 2025 · 52 min
With Madelyn van der Hoogt’s extensive knowledge of loom-controlled structures and techniques, you might be surprised to learn that the celebrated weaving teacher spent her first years as a handweaver working on a backstrap loom. On a sabbatical in Latin America from her teaching career in Oakland, Madelyn traveled from village to village looking for the style of weaving she wanted to do, then sought out a local teacher. But when she moved back to the United States and began a new life as a farmer, her backstrap weaving style hit a snag: sitting on the ground to weave under a tree is a lot less pleasant when you are the favorite meal of chiggers. Lees meer
Falling in love with shaft looms and the cloth she could make, Madelyn began the weaving explorations that would make her the editor of two national weaving magazine, instructor in a half dozen weaving videos, and leader of a weaving school. She now has over 30 looms in her home teaching studio, each ready to explore a different weave structure. Despite decades as a writer and editor, she doesn’t hesitate before identifying first and foremost as a teacher.
Links
The Weavers’ School
The Primary Structures of Fabrics: An Illustrated Classification by Irene Emery was originally published by the Textile Museum, Washington, DC; it is currently out of print.
Ask Madelyn includes hundreds of thoughtful replies to reader inquiries—and if you send her an email, she might answer yours!
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Learning how to weave but need the right shuttle? H…
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Cecelia Campochiaro, Curious Knitter
14 juni 2025 · 1 uur
When you first learned to knit, you might have wondered why certain stitches made fabric that curled, or why right-leaning and left-leaning decreases didn’t quite match, or why charts didn’t really show what the knitted fabric would look like. Knitting patterns might have seemed completely unworkable. If we stick with the craft, most knitters eventually take these oddities in stride and work around them. We learning to fudge what we can’t fix, and we figure that’s the way knitting goes. We read our stitches, let the habits of our skilled hands take over, and integrate knitting into our lives the way we ride a bicycle, make a cup of tea, or steer a car. Lees meer
Not Cecelia Campochiaro. With a scientific mind (trained by a PhD in physical chemistry), she approached those small curiosities as chances to investigate knitting more closely. By making small variations—holding several yarns together and creating gradual striping patterns, repeating a sequence of stitches with a slight offset, or mirroring the same stitches on both sides of the work—she has explored the nature of knitting and created extraordinary fabrics. Her latest book, Reversible Knitting, shows the differences in drape, texture, design, and color that emerge simply from removing the idea of “right” and “wrong” sides of the fabric.
The richness in Cecelia’s work lies in its simplicity. Like knitting itself, the careful repetitions and variations that she presents add up to a project far greater than the sum of its parts, as pleasing to the eye as to the hand.
Links
Reversible Knitting is Cecelia’s latest book.
Making Marls explores working with strands of different colored yarns held together.
Sequence Knitting examines the surprisingly rich results of repeating a group of stitches.
Parastripe Shawl is available in the Farm & Fiber Knits Library and as part of the Creative Color Collection.
Carson Demers’s book Knitting Comfortably offers advice on the ergonomics of knitting.
This episode is brought to…
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Sara Bixler, Red Stone Glen
31 mei 2025 · 50 min
At a time when many fiber arts stores are closing, Sara C. Bixler is bucking the trend. With degrees in both fine art and education, she had developed a studio practice as well as a teaching repertoire at the Pennsylvania weaving school where her father, Tom Knisely, had taught for decades. When that store closed, she decided to take the risk of opening a brand-new fiber arts center known as Red Stone Glen. It was an audacious project: the school and accompanying store occupy a rural campus in southeastern Pennsylvania, with space for several classes and even on-site lodging for students. Beginning a few years ago, the family took another step into the fiber arts when her husband, Dustin, acquired Bluster Bay Woodworking from its founders and began producing shuttles and other weaving tools “in the Glen,” too. She had support in her project from former students and from Tom, who was delighted to have a teaching home base again. Lees meer
Sara also loves opening her students’ eyes to other weaving traditions, whether exploring weaving destinations overseas or preserving the legacy of American textile history in the National Museum of the American Coverlet, where she serves on the board of directors.
Links
Red Stone Glen
Triaxial weaving: Hex Weave & Mad Weave by Elizabeth Harris and Charlene St. John
National Museum of the American Coverlet
Sara’s videos on Boutenné and other subjects are available from Long Thread Media.
Sara leads tours to Japan and Switzerland with Opulent Quilt Journeys.
Bluster Bay Woodworks
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality …
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Spotlight: Cashmere on Ice
25 mei 2025 · 38 min
You know about North Pole and the South Pole, where polar bears and penguins live. Have you heard of a third pole? West and south of the Tibetan Plateau, a mountainous area holds more glaciers than any place in the world outside the Arctic and Antarctic poles. This region has a special significance for fiber artists: it is the home and habitat of the goats that produce much of the world’s cashmere. And as at the North and South Poles, climate change is threatening the animals and people who call this region home. Lees meer
To bring attention to the threat to glaciers in the region, engineer Sonam Wangchuk climbed into the Himalayas of in Ladakh, India, and carried back a 7 kilogram chunk of glacier. It began a journey across two continents, wrapped in 3 kilograms of cashmere, and finally arrived at the United Nations in New York. The UN has named 2025 the International Year of Glaciers’ Preservation, and Wangchuk’s Travelling Glacier brought the threat of climate change to the world’s door. The cashmere covering the sample not only insulated the ice, it also demonstrates what’s at risk when glaciers melt. The animals and people living in these regions depend on glaciers for water; when the glaciers melt too abruptly, the overflow of water sweeps away whole villages and cities in devastating floods.
Stories of people and animals on other continents can seem remote, abstract, and hopeless, but joining in the movement to preserve this important resource can be as near as your fingertips. Long Thread Media is joining with Wild Fibers to sponsor the Cashmere on Ice Contest, which invites fiber artists to make a project containing cashmere. Projects can be wearable or decorative; a special category highlights fiber grown in the Ladakh region from which Wangchuk sourced his Travelling Glacier.
In this episode, celebrated storyteller and wild fiber expert Linda Cortright shares details about why she cares passionately about this crisis and what fiber artists can do to help the ca…
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Tom Knisely, Generational Weaver
17 mei 2025 · 59 min
When Tom Knisely decided to buy his first item in an antique shop, he had two strokes of luck: the spinning wheel that he chose included all the parts needed to make yarn, and he lived not far from the landmark weaving store The Mannings. There, he learned to spin and eventually to weave. Enamored with the crafts, he got a job at the store there as a teenager and eventually built a career there over 37 years. Lees meer
That love of antiques led Tom to accumulate a collection of historic coverlets and rag rugs, along with knowledge about the old techniques used to make such durable textiles. Students often turn to Tom to learn such traditional skills as rag-rug weaving, working with linen from plant to fabric, and weaving with counterbalance looms. Through these antique rugs and coverlets, he traces the legacy of the weavers before him—those who pursued a life in weaving centuries ago. His nine books and ten videos explore contemporary and historic techniques, structures, and tools.
As much as his knowledge, Tom’s patience, enthusiasm, and warmth draw students to his classes. Named Handwoven Teacher of the Year, he loves helping students—from children who watch his living history demonstrations to dedicated weavers—develop their skills and love of spinning and weaving. His longest-lasting teaching relationship has been with Sara C. Bixler, one of his daughters, who took up the mantle to become a weaving teacher and designer herself.
“I think we have an obligation to get out there and promote what we do,” he says. “You’d be surprised how much it means to other people to see this. But I guarantee you, you’ll come home with stories that are far greater than what you have put out. It’s a real reward.”
Links
Read about bumper looms in “Never Say Never” (Little Looms Spring 2025) and “Never Say Never Again” (Little Looms Summer 2025.
Find Tom’s classes, including How to Weave a Rag Rug and Weave a Good Rug with Tom Knisely: From Fiber to Finish, streaming and in the Handwoven…
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Susan Strawn, Knitting Historian
3 mei 2025 · 57 min
A lifelong lover of fiber arts, Susan Strawn’s career in textiles began in an unexpected corner: with training as a biomedical illustrator. She found cloth far more exciting than biology, so she turned her eye for detail to illustrating PieceWork magazine. She added photostyling to her duties, bringing textile stories to life and demonstrating the steps of various needlework techniques. After a decade on the staff of the magazine, she decided to devote herself to studying and writing about textiles, earning a PhD in Textiles and Clothing. Lees meer
Although her initial interest was in writing, she discovered that she loved teaching. She became a Professor in the Department of Fashion at Dominican University, with a roster of classes she loved to teach (and that would make a textile lover swoon to take). Now retired from the university, she is exploring the importance of textiles, especially knitting, in her own life through essays and illustrations.
With a particular interest in everyday cloth and the insight it offers into women’s lives, Susan’s hands are always busy with needle, pen, or keyboard.
Links
Susan Strawn’s website
Susan’s Substack
Discover Knitting America and Susan’s other writings
Knits of Yore video
The Gaman Mittens pattern is available in the Farm & Fiber Knits library or in PieceWork September/October 2017.
Read about Susan’s visit to the nuns of Shaw Island and their flock of Cotswold sheep
No Idle Hands: The Social History of American Knitting by Anne L. MacDonald
A History of Hand Knitting by Richard Rutt
Blazing Star Journal from AgArts
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk,…
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Sissal Kjartansdóttir Kristiansen on Faroese Knitting
19 april 2025 · 1 uur 1 min
Knitting and wool are so essential in the Faroe Islands that in the early 1800s, exports of sweaters and socks made up about half of the economy. Today, the nation of about 55,000 people has 8+ knitwear brands, 2 active spinning mills, and 70,000 ewes. Sissal Kristiansen, the owner of knitwear company Shisa Brand, started an initiative called The Wool Islands to celebrate the heritage and potential of Faroese fiber. “We owe it to our past and our future to utilise the natural resources that we have, and on the Faroe Islands, that is wool,” she says. Lees meer
The first project of the Wool Islands was a 15-minute documentary that takes viewers on a sweeping journey through the Faroese landscape, meeting shepherds, knitters, and of course sheep. Available to watch free on YouTube and the project’s website, the film welcomes you to the small country, which is located in the North Atlantic between Shetland and Iceland. Today, the economy of the Faroe Islands relies on tourism; the film shows how enticing a destination it is for knitters, spinners, and textile lovers. Sheep and knitting are everywhere in the Faroe Islands, but maintaining the quality and value of the local wool depends on visitors, locals, knitters, and consumers to recognize its unique importance.
Drawing on the natural colors produced by the native sheep, Faroese knitting patterns are characterized by graphic, highly contrasting stranded patterns that generally carry floats over less than five stitches. Sissal’s designs for Shisa Brand feature bold traditional motifs in contemporary silhouettes and scales. Some of Shisa Brand’s iconic garments feature black-and-white geometric patterns, and the ready-to-wear items are handmade by local handknitters using Faroese wool. Undeterred by wool’s reputation for scratchiness next to the skin, she celebrates the lofty texture, warmth, and silkiness of the dual-coated fleece.
Hearing Sissal speak about her home and her passion for Faroese wool will leave you yearning t…
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Shay Pendray, Stitcher, Entrepreneur, Cowgirl (classic)
5 april 2025 · 22 min
When young Shay Pendray told the head of her school that she wanted to learn to sew, he had a prerequisite: He would give her a lamb, and she would learn to process the wool, spin it into yarn, and weave it into cloth, and then she could learn to sew. It was an extraordinary home ec class, but the administrator in question was Henry Ford. Shay was one of the students in Greenfield Village, a living museum on the grounds of what is now the Henry Ford Museum. Shay has combined curiosity, hard work, good fortune, and a passion for needle arts ever since. Lees meer
Many fiber artists will remember Shay from the Needle Arts Studio with Shay Pendray. Wanting to share her knowledge of needlework, she developed a television series that ran on PBS stations for years. Before finding a national television audience, Shay opened successful needlework shops, studied embroidery in Japan, China, and Britain, and wrote several books. After decades as a business owner, television pioneer, and teacher, Shay finds great joy in sitting down with needlework every day, reveling in the variety of threads, materials, and information available to stitchers.
Besides needle arts, Shay’s other passion is for horses. She loves to ride her horse in the open spaces of Wyoming, admiring the value of the greens and golds in the landscape. Not long before we spoke, USA Today wrote about her: “This 85-year-old cowgirl is still herding cattle across Wyoming: ‘We will age together.’”
This episode marks the fifth anniversary of the Long Thread Podcast, which was first released in April 2020. I’ve thought so fondly of this conversation, our first podcast to release, and was excited to revisit it.
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Lo…
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Robin Lynde, Meridian Jacobs
22 maart 2025 · 56 min
Some shepherds research extensively and choose the breed that best matches their needs. Others come across an animal or a whole flock and everything falls into place—it becomes clear that these are the sheep they’ve been waiting for. Robin Lynde had a farm with a few sheep in the mix, but when a local shepherd decided to sell her Jacob sheep, Robin jumped at the opportunity to own a flock of black-and-white-spotted, two-to-four-horned heritage-breed sheep. Lees meer
Although the flock lives full-time between Sacramento and the Bay Area, Meridian Jacobs get around—digitally, at least. When Robin started fielding inquiries about visiting the sheep and the farm, she came up with the idea for a Farm Club, which invites members to develop a relationship with the flock, by helping on designated Farm Days, keeping up with their photos and videos, and purchasing a share of fiber as a fleece or as yarn. You can find her photogenic sheep on her webite, social media, and YouTube. “I take pictures of everything,” she says—and with sheep so cute, who could blame her?
In addition to caring for her sheep, Robin immerses herself in the fiber world through writing and designing handwoven projects. She’s held a weekly study group for weavers for years, first in person and now online. She has designed for both Handwoven and Little Looms magazines, with a particular specialty in weaving with wool. She teaches at a number of events and presents at guild events.
Just don’t ask her to go anywhere during lambing, when you’ll find her in the barn with those irresistible Jacobs.
Links
Meridian Jacobs website
Learn about Meridian Jacobs’s Farm Club and see a photo gallery of activities
Find Robin’s blog on WordPress and the main website
Purchase Meridian Jacobs fleece, yarn, and Robin’s handwovens on their website
The Meridian Jacobs YouTube features videos about shearing, weaving, and other wooly subjects
Farm & Fiber Knits subscribers can read Robin’s article How to Source Wool Directly fr…
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Laura Nelkin Knits for Food
8 maart 2025 · 46 min
Listening to her college-aged daughter making calls for AmeriCorps in 2020, Laura Nelkin was surprised at how many people in her community faced food insecurity and hunger every day. A problem that had seemed far away suddenly felt much closer to home, and Laura wanted to find a way to help. She had a feeling that other knitters would want to help, too, so she dreamed up a group effort: the Knit for Food Knit-a-Thon. In its first 4 years, the effort has raised over $1.25 million for Feeding America, Meals on Wheels, No Kid Hungry, and World Central Kitchen. 2025 is poised to be the largest event yet, with more teams and knitters joining the effort every day. Lees meer
How does it work? Until Saturday, April 5, 2025, crafters register to participate, either as members of a team or solo. Participants reach out to friends, loved ones, colleagues, and other contacts to make a financial pledge to support the effort. Then from 10 am to 10 pm Eastern Time on April 5, participants pick up your craft of choice and knit (or crochet or stitch or whatever you like). Some teams and local craft groups organize public meetups for support. Anyone raising at least $100 receives a link to online events including stretching and knitting ergonomics, live music, games, and presentations from the four benefiting charities. At the end of the day, you’ve enjoyed 12 hours on your favorite craft, strengthened the fellowship of crafters, and helped raise hundreds of thousands of dollars that directly feed hungry people.
Laura (and her saucy alter ego, Lola) develop dozens of innovative ideas every year, from original designs to bead-knitting techniques to a brilliant method for swatching to knit in the round while knitting flat. She documents her ideas and experiments on her YouTube channel, offers kits and mystery knit-alongs, and invites knitters to join her in real life on knitting-related tours and cruises each year. The Knit for Food Knit-a-Thon brings that spirit of fun and inventiveness to a …