Recording & Mixing

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76 afleveringen, van nieuw naar oud

1. Keyboard Processing Tips

   12 mei 2022 · 13 min

   Afspelen
   Matt Johnson of Jamiroquai talks us through five favourite processing tips that he uses to create movement and interest in synth parts. Lees meer

   Chapters
   00:00 - Introduction
   00:53 - Tip 1: Reverb And Sidechained Compression
   02:48 - Tip 2: Panned Effects
   04:47 - Tip 3: Chopped Audio
   06:53 - Tip 4: Adding Effects To Duplicate Tracks
   09:55 - Tip 5: Adding Reverb Before Compression

   All music composed and performed by Matt Johnson © Matt Johnson Music

   Matt Johnson Biog
   For the last 20 years Matt has been the keyboard player for Jamiroquai, co-writing most of the band's output during that time and co-producing the last album ‘Automaton’.

   In between working with the band he has recorded as a session player with numerous artists in many genres including Duffy, Ashanti, J.P.Cooper, Jax Jones, S.G.Lewis, Purple Disco Machine, Newton Faulkner, Nolwenn Leroy, Will Young and many more.

   Now Matt has released his debut solo record ‘With The Music’ under the Splash Blue label, with a retro Jazz Funk feel.

   https://www.mattjohnsonproducer.com/

   Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

2. Sound Design Using Filters

   13 april 2022 · 23 min

   Afspelen
   Eddie Bazil gives six sound design tips, using various plug-in filters to create unique instrument sounds and to add interest and movement to mixes. Lees meer

   Chapters
   00:00 - Introduction
   00:56 - The First Filters
   02:23 - Modern Filters
   04:37 - Example 1: Filtering A Triangle Wave Into A Sine Wave
   06:15 - Example 2: Using Self-Oscillating Filters To Generate Tuned And Tracked Tones
   07:27 - Example 3: Adding Movement To A Sub Bass
   11:44 - Example 4: Filtering A Drum Beat
   14:45 - Example 5: Using Resonant Filters On Beats
   17:34 - Example 6: Creating Texture With Formant Filters

   Eddie Bazil Biog
   Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has establ…

3. Howard Gray Producer

   10 maart 2022 · 38 min

   Afspelen
   Howard Gray gives us a fascinating look behind the scenes of recording and engineering some of the biggest tracks of the 80s. James Gardner chats to him about his journey, starting out as a tape op through to becoming a highly regarded freelance engineer. Lees meer

   Chapters
   00:00 - Introduction
   00:48 - A Tape Op At Manor Studios
   02:25 - A Typical Day At The Manor
   03:45 - The Engineers And The Bands
   06:01 - Tape Editing
   07:56 - Switching To Digital
   09:18 - From House Engineer To Freelance
   09:42 - Hugh Padgham and Steve Lillywhite
   12:24 - Early Sampling
   13:03 - Using An SSL Desk
   17:45 - Scritti Politti Cupid and Psyche
   18:25 - Synchronising MIDI and Tape
   22:24 - Getting The Scritti Sound
   23:48 - Working With UB40
   28:01 - The Age Of Chance
   28:15 - From Tape To Digital To HD Recording
   29:09 - Working With Slave Reels
   30:48 - The Change To Digital Tape
   31:58 - Preferred Recording Medium
   33:02 - Engineering Apollo 440
   34:31 - Recording A Jazz Quartet
   35:59 - Using Logic and Plug-ins

   Howard Gray Biog
   Howard started out in the early 80s as a teenage razor-sharp tape operator at The Manor - Virgin Records’ quintessential getting it together in the country recording facility, before graduating to house engineer at one of the first Solid State Logic console equipped studios, west London’s legendary Townhouse. Sessions there included Kate Bush, Phil Collins, XTC, OMD, PIL, The Stranglers, Japan, Rip Rig & Panic, Van Morrison and ABC. He worked on countless classic 80’s records with producers like Mick Glossop, John Leckie, Hugh Padgham, Steve Lillywhite, Adrian Sherwood and Trevor Horn, engineering albums such as Simple Minds’ Sparkle in the Rain, and the paradigm shifting Cupid & Psyche for Scritti Politti.

   His first production credits with UB40 (Red Red Wine) led to more, including The Cure, Terence Trent D’Arby, Danny Wilson, Manic Street Preachers, Age Of Chance, Screaming Blue Messiahs, Pete Wylie, Tom Jones and Art Brut - at the controls in seminal London studios Air, Trident, …

4. Grumpy 101: Top Peeves, Annoyances and Pet Hates

   10 februari 2022 · 14 min

   Afspelen
   Paul and Hugh wax lyrical about the things they dislike about today's gear. Lees meer

   Chapters
   00:00 - Introduction
   00:18 - Power Supplies
   02:32 - USB Connectors
   03:07 - Software
   04:37 - Audio Specifications
   06:15 - Digital Meters
   08:02 - Detented Potentiometers
   09:01 - OS Upgrades
   10:28 - Non-Removable Batteries
   11:39 - Impractical Hardware

   Paul White Biog
   Paul White joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

   Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

   http://www.cydoniacollective.co.uk/

   Hugh Robjohns Biog
   Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!

   Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

5. Gear Of The Year 2021

   12 januari 2022 · 17 min

   Afspelen
   A rundown of some of the most intriguing product releases reviewed in Sound On Sound in 2021, as chosen by Paul White and Hugh Robjohns. Includes software and hardware from budget to pro audio. Lees meer

   Chapters
   00:00 - Introduction
   00:18 - Zoom F6
   01:27 - Logic 10.7
   01:59 - IK Multimedia AmpliTube X-Space
   03:03 - Trinnov D-mon
   05:06 - IK Multimedia AmpliTube 5
   05:26 - Cherry Audio Stardust 201 Tape Echo
   05:41 - Waves Retro Fi
   06:14 - Rob Papen DelSane
   06:37 - SSL Native X-Echo
   06:49 - Classical Recording: A Practical Guide in the Decca Tradition

   08:21 - Boss IR-200
   08:41 - Blackstar Dept.10 Dual Drive
   09:47 - RME Audio HDSPe AIO Pro
   11:19 - SSL BiG SiX
   12:42 - Aum Guitars Vibraslide
   13:52 - Gamechanger Audio LIGHT Pedal
   15:06 - Grace Design m900

   Paul White Biog
   Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

   He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

   Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

   http://www.cydoniacollective.co.uk/

   Hugh Robjohns Biog
   Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy …

6. Using Vocoder Plug-ins

   9 december 2021 · 27 min

   Afspelen
   Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques. Lees meer

   Chapters
   00:00 - Introduction
   00:30 - A Short History Of The Vocoder
   02:15 - How Vocoders Work
   03:28 - Example 1: Processing Drum Beats and Pads
   07:31 - Example 2: Adding Texture To Drums And Bass
   10:41 - Example 3: Creating Rhythmic Bass Textures
   13:30 - Example 4: Creating The Borg
   16:00 - Example 5: Modulating Sounds Using A Beat
   21:20 - Example 6: Adding Delay To Create Motion

   Eddie Bazil Biog
   Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for on…

7. From Tape to DAW

   9 november 2021 · 23 min

   Afspelen
   Paul White and Hugh Robjohns discuss the evolution of recording from the perspective of their own experiences, starting with analogue tape and ending with computer-based digital systems. Lees meer

   Chapters
   00:00 - Introduction
   00:25 - Early Memories Of Recording
   02:47 - Simul-sync
   03:40 - First Multitrack Experience
   07:03 - Noise Reduction
   10:12 - Favourite and Worst Tape Moments
   12:07 - Digital Recording
   14:15 - Early Computer Recording
   16:47 - Digital Storage
   18:06 - The Early DAWs
   19:16 - Modern DAWs
   20:15 - Data Backups and Cloud Storage

   Paul White Biog
   Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

   He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

   Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

   http://www.cydoniacollective.co.uk/

   Hugh Robjohns Biog
   Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!

   Catch more shows on our …

8. Echo: Back To Basics - Paul White

   12 oktober 2021 · 12 min

   Afspelen
   Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and how modern echo effects can be used as sound design tools. Lees meer

   Chapters
   00:00 - Introduction
   00:15 - Early Echo Effects Using Tape Loops
   05:05 - The Introduction Of Solid State Technology
   06:43 - High-Quality Results With Digital Delays
   10:04 - Vintage Emulations And Sound Design Using Plug-ins

   Paul White Biog
   Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

   He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

   Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

   http://www.cydoniacollective.co.uk/

   Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

9. Colouring Drum Beats - Eddie Bazil

   9 september 2021 · 25 min

   Afspelen
   In this episode, Eddie Bazil offers tips for creating a signature sound using sound design techniques and offers a range of suggestions on how drums can be processed to add more depth and texture. Lees meer

   Chapters
   00:00 - Introduction
   00:19 - The Role Of A Producer
   02:20 - Example 1: Adding Clarity And Bite To Drums
   04:10 - Example 2: Thickening A Drum Beat
   06:50 - Example 3: Creating Texture
   09:58 - Example 4: Adding A Strong Attack To A Kick Drum
   12:45 - Example 5: Adding Life To Acoustic Beats
   16:22 - Example 6: Adding Ambience
   21:09 - Example 7: Altering the Kick Within A Beat

   Eddie Bazil Biog
   Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has …

10. Using Transient Shapers - Eddie Bazil

    10 augustus 2021 · 20 min

    Afspelen
    In this episode, Eddie Bazil discusses using Transient Shapers in place of EQ and provides six practical examples of the ways that each of the various tracks in your mix can benefit. Lees meer

    Chapters
    00:00 - Introduction
    00:25 - What Are Transient Shapers?
    01:50 - Example 1: Adding Clarity And Punch
    03:19 - Example 2: Highlighting Attack Transients
    05:20 - Example 3: Adding Grit And Thickness
    06:58 - Example 4: Shaping Attack And Sustain
    08:58 - Example 5: Sustaining Short Notes
    11:46 - Example 6: Transient Shapers In Sound Design

    Eddie Bazil Biog
    Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online edu…

11. FX Chain Order

    13 juli 2021 · 12 min

    Afspelen
    Paul White explains the basic concepts behind FX chain order and gives examples of how these guidelines can be broken in order to achieve new and unique audio outcomes. Lees meer

    Chapters
    00:00 - Introduction
    00:21 - Basic Rules Of FX Chains
    01:11 - FX Chain For Guitarists
    03:03 - Phase And Distortion
    04:19 - Compression And EQ
    05:22 - Compression And Overdrive
    06:59 - Reverbs And Delays
    08:31 - Reverb And Distortion
    09:30 - Parallel Configuration In Your DAW
    10:37 - Where To Add Vocal Compression
    11:23 - Summary

    Paul White Biog
    Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

    He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

    Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

    http://www.cydoniacollective.co.uk/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

12. Creative Use Of Auto-Tune

    10 juni 2021 · 14 min

    Afspelen
    Auto-Tune may be a common plug-in for fixing vocal pitch, but in this episode Paul White explains the basics and demonstrates 7 tips to help you create a variety of alternative textured soundscapes. Lees meer

    Chapters
    00:00 - Introduction
    00:46 - Tip 1: Natural Sounding Auto-Tune
    03:07 - Tip 2: Robotic Style Auto-Tune
    04:27 - Tip 3: Adding Auto-Tune To Sends
    05:12 - Tip 4: Controlling Auto-Tune With MIDI
    06:17 - Tip 5: Creating Musical Soundscapes
    08:55 - Tip 6: Using Auto-Tune For Double Tracking
    09:47 - Tip 7: Using Auto-Tune On Pitch Bends
    10:47 - Demo Showcasing Various Auto-Tune Techniques

    Paul White Biog
    Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

    He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

    Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

    Credit: Vocals by Alice Rose Wild.

    http://www.cydoniacollective.co.uk/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

13. Using Dynamic EQ - Eddie Bazil

    11 mei 2021 · 20 min

    Afspelen
    Eddie Bazil takes us through some of the different uses for Dynamic EQ, including enhancing drums and vocals and separating elements within a mix. Lees meer

    Chapters
    00:00 - Introduction
    00:26 - What Is Dynamic EQ?
    01:45 - Example 1: Sidechaining
    03:29 - Example 2: Processing Drums
    05:33 - Example 3: Corrective EQ
    08:03 - Example 4: Creating Motion
    11:09 - Example 5: EQing Multiple Vocals
    14:24 - Example 6: Separating Elements Within A Mix

    Audio Credits

    Examples 3 and 4:

    Many thanks to David Plummer and Becky Bremner for use of their content in this podcast.

    https://www.smokinggoats.co.uk

    Example 5:

    Many thanks to Chris Timson and Anne Gregson for use of their content in the podcast.

    www.eaglealley.co.uk

    Example 6:

    Many thanks to artist Anna Kaona.
    Track: Every time, recorded by Simone Fedi at Studio Volta Recordings.

    Eddie Bazil Biog
    Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Ca…

14. Using Delay Effects - Eddie Bazil

    15 april 2021 · 23 min

    Afspelen
    In this episode Eddie Bazil explores the various ways that delay effects can be used and applies these techniques to a finished composition. Lees meer

    Chapters
    00:00 - Introduction
    00:23 - About Delay Effects
    01:57 - Example 1: Using Delay As A Reverb
    03:38 - Example 2: Applying Depth To Drums
    04:39 - Example 3: Using Delay To Create Motion
    06:42 - Example 4: Creating Rhythmic Effects
    07:58 - Example 5: Creating A Shadow Effect
    09:21 - Example 6: Creating Texture
    21:08 - The Completed Sequence

    Eddie Bazil Biog
    Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording…

15. Using Phaser Effects - Eddie Bazil

    11 maart 2021 · 17 min

    Afspelen
    Eddie Bazil of Samplecraze gives us an introduction into the creative use of Phasers, with practical examples using drums, vocals and synth pads. Lees meer

    Chapters
    00:00 - Introduction
    00:25 - How Phasers Work
    02:34 - Demonstrating The Stages
    03:53 - Using A Phaser On Vocals
    04:43 - Stereo Panning
    05:39 - Phasing a Rhodes
    06:35 - Advanced Phaser Effects
    09:52 - Adding Delay
    12:09 - Adding Reverb
    13:45 - Using Automation

    Audio Credit
    Many thanks to David Plummer and Becky Bremner for use of their content in this podcast.
    https://www.smokinggoats.co.uk/

    Please Note Update
    There is an error at the following time cues where Eddie mistakenly said Kilohertz instead of Hertz when referring to the LFO frequencies.
    At 04:04 he says 20 Hz and then 1kHz. They should be 0.20Hz and 0.1Hz.
    At 05:47 he says 4.2kHz and this should be 4.2Hz
    Sorry for the errors.

    Eddie Bazil Biog
    Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexa…

16. 7 Reverb Treatments To Enhance Your Music

    11 februari 2021 · 13 min

    Afspelen
    In this show Paul White guides you through seven reverb treatments, from simple to complex, and demonstrates how combining reverb with other commonly available plug-ins can produce creative textures and ambience in your music. Lees meer

    Chapters
    00:00 - Introduction
    01:00 - Tip 1: Using Ambience Simulations
    01:46 - Tip 2: Using A Plate Reverb
    04:06 - Tip 3: Combining Reverb and Delay
    05:10 - Tip 4: Adding Texture
    06:43 - Tip 5: Shimmer Reverb
    08:31 - Tip 6: Pitch Quantized Reverb
    09:53 - Tip 7: Using Reverb To Create Rhythm
    10:48 - Combining All Of The Tips

    Paul White Biog
    Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

    He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

    Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

    Credit: Vocals by Alice Rose Wild.

    http://www.cydoniacollective.co.uk/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

17. 6 Advanced Drum Mixing Tips - Mat Gendreau

    12 januari 2021 · 20 min

    Afspelen
    Record producer and educator Mathieu Gendreau shares 6 top tips to help you mix drums like a pro. Lees meer

    Chapters
    00:00 - Introduction
    01:13 - Tip 1: Gating drums like a pro

    05:51 - Tip 2: Adding weight to snare drum

    08:58 - Tip 3: Ducking overheads to remove snare drum

    11:51 - Tip 4: Adding brightness to snare drum using reverb

    14:09 - Tip 5: Controlling a large drum kit reverb using a gate

    17:33 - Tip 6: Adding presence to snare drum using distortion and a top end boost

    Mat Gendreau Biog
    Mathieu "Mat" Gendreau, is a Canadian-born and Philadelphia-based music producer, composer, recording artist, label owner and educator. He is the founder and program director of the Rowan University Bachelor of Science in Music Industry in Glassboro NJ, USA, and he records under the names JAXX DE LUXE, Expo 67 and Plastic Operator (with bandmate Pieter Van Dessel).

    While graduating with an MA in Audio Production from University of Westminster in London, Gendreau cut his teeth as an in-house engineer at Mute Records in the early 00’s, He was also the main studio engineer for producer Arthur Baker. Over the years his music productions have been released by labels such as EMI, Mute, Virgin, Sony, Tommy Boy, Ministry of Sound and Universal, and he’s worked with many artists including Lenny Kravitz, Goldfrapp, New Order, Arthur Baker, Tommie Sunshine, CLIENT, Erasure, King Britt and Josh Wink.

    His band Plastic Operator caught the attention of BBC Radio 1 DJ Rob Da Bank with the song "Folder" in 2005 and the single was signed to Sunday Best Recordings. In 2007, Mathieu launched his own label, Fine Day Records, and released Plastic Operator's album "Different Places" to critical acclaim. The band performed live in many of Europe's largest clubs, events and festivals including Bestival (Isle of Wight), Razzmatazz Club (Barcelona), Petrol, Culture Club (Belgium) and Paris Fashion Week. Mathieu has produced numerous remixes, including "Chains of Love - Plastic Operator remix" for chart-t…

18. 5 Tips for Parallel Processing - Mat Gendreau

    10 december 2020 · 16 min

    Afspelen
    In this episode, Canadian Producer and Educator Mat Gendreau shares his 5 top tips for using parallel processing techniques on voice, bass and drums to help you get a professional polish and more energy in your overall mix. Lees meer

    Chapters
    00:00 - Introduction
    00:23 - What Is Parallel Processing?
    01:50 - Tip 1: Adding A Professional Polish To Vocals
    04:57 - Tip 2: A Hi-Frequency EQ Boost and Compression
    06:12 - Tip 3: Compression, Distortion and a Hi-Pass Filter
    09:47 - Tip 4: Chorus and a Hi-Pass Filter on Bass
    12:43 - Tip 5: EQing New York Compression

    Mat Gendreau Biog
    Mathieu "Mat" Gendreau, is a Canadian-born and Philadelphia-based music producer, composer, recording artist, label owner and educator. He is the founder and program director of the Rowan University Bachelor of Science in Music Industry in Glassboro NJ, USA, and he records under the names JAXX DE LUXE, Expo 67 and Plastic Operator (with bandmate Pieter Van Dessel).

    While graduating with an MA in Audio Production from University of Westminster in London, Gendreau cut his teeth as an in-house engineer at Mute Records in the early 00’s, He was also the main studio engineer for producer Arthur Baker. Over the years his music productions have been released by labels such as EMI, Mute, Virgin, Sony, Tommy Boy, Ministry of Sound and Universal, and he’s worked with many artists including Lenny Kravitz, Goldfrapp, New Order, Arthur Baker, Tommie Sunshine, CLIENT, Erasure, King Britt and Josh Wink.

    His band Plastic Operator caught the attention of BBC Radio 1 DJ Rob Da Bank with the song "Folder" in 2005 and the single was signed to Sunday Best Recordings. In 2007, Mathieu launched his own label, Fine Day Records, and released Plastic Operator's album "Different Places" to critical acclaim. The band performed live in many of Europe's largest clubs, events and festivals including Bestival (Isle of Wight), Razzmatazz Club (Barcelona), Petrol, Culture Club (Belgium) and Paris Fashion Week. Mathieu has produced num…

19. EQing & Processing Reverbs - Mat Gendreau

    10 november 2020 · 17 min

    Afspelen
    Canadian Producer and Educator Mat Gendreau shares his top 5 tips on processing reverbs to fit with your song tempo and to avoid overpowering a mix. Lees meer

    Chapters
    00:00 - Introduction
    00:21 - Treating Reverb As A Track
    00:53 - Tip 1: EQ Your Reverb
    04:38 - Tip 2: Adding a De-Esser
    08:05 - Tip 3: Changing Reverb Tonality
    09:50 - Tip 4: Adding A Gate
    13:22 - Tip 5: Delaying A Reverb

    Mat Gendreau Biog
    Mathieu "Mat" Gendreau, is a Canadian-born and Philadelphia-based music producer, composer, recording artist, label owner and educator. He is the founder and program director of the Rowan University Bachelor of Science in Music Industry in Glassboro NJ, USA, and he records under the names JAXX DE LUXE, Expo 67 and Plastic Operator (with bandmate Pieter Van Dessel).

    While graduating with an MA in Audio Production from University of Westminster in London, Gendreau cut his teeth as an in-house engineer at Mute Records in the early 00’s, He was also the main studio engineer for producer Arthur Baker. Over the years his music productions have been released by labels such as EMI, Mute, Virgin, Sony, Tommy Boy, Ministry of Sound and Universal, and he’s worked with many artists including Lenny Kravitz, Goldfrapp, New Order, Arthur Baker, Tommie Sunshine, CLIENT, Erasure, King Britt and Josh Wink.

    His band Plastic Operator caught the attention of BBC Radio 1 DJ Rob Da Bank with the song "Folder" in 2005 and the single was signed to Sunday Best Recordings. In 2007, Mathieu launched his own label, Fine Day Records, and released Plastic Operator's album "Different Places" to critical acclaim. The band performed live in many of Europe's largest clubs, events and festivals including Bestival (Isle of Wight), Razzmatazz Club (Barcelona), Petrol, Culture Club (Belgium) and Paris Fashion Week. Mathieu has produced numerous remixes, including "Chains of Love - Plastic Operator remix" for chart-topping band Erasure (Mute/EMI). His club smash hit Booka Shade vs. Plastic Operator “I Won’t Bac…

20. Spill Can Be Your Friend! - Mike Senior

    7 oktober 2020 · 15 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Many project-studio users seem to go to enormous lengths to reduce spill, but this frequently proves counterproductive, undermining the final mix. In this episode, Mike Senior demonstrates several ways spill can actually improve the sound of your productions, as well as making the mixdown stage quicker and easier.

    Chapters
    00:00 - Introduction

    01:22 - Tonal Enhancement

    05:58 - Blend Enhancement

    08:29 - Salvaging Mix Problems Using Spill

    10:37 - Top Tips For Mixing With Spill

    Credits
    This month's episode features audio examples from the following productions:

    * Marcus Boeltz, Christian Bolz & Tobias Knecht (band-tracking session)

    You can read about this one-room recording session in the following Sound On Sound 'Session Notes' columns:

    https://www.soundonsound.com/techniques/session-notes-multi-purpose-recordings

    https://www.soundonsound.com/techniques/session-notes-editing-full-band-recordings

    * Spektakulatius: 'Forever Young' & 'Is You Is Or Is You Ain't'

    Download the full raw multitracks for 'Is You Is Or Is You Ain't' from https://cambridge-mt.com/ms/mtk/#Spektakulatius

    Read about the recording, mixing, and mastering of all these songs in the following Sound On Sound 'Session Notes' & 'Mix Rescue' columns:

    https://www.soundonsound.com/techniques/session-notes-spektakulatius

    https://www.soundonsound.com/techniques/mix-rescue-spektakulatius

    https://www.soundonsound.com/techniques/mix-rescue-spektakulatius-0

    * Jesper Buhl Trio: 'What Is This Thing Called Love'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#JesperBuhlTrio

    Read about my mix of this project in the following Sound On Sound 'Mix Rescue' column:

    https://www.soundonsound.com/techniques/mix-rescue-jazz-trio

    * Trafficker: 'My Father Never Loved Me'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Trafficker

    Read about my mix of this project in the following Sound On Sound 'Mix Rescue' column:
    …

21. Improving Your Mixes With Distortion - Mike Senior

    9 september 2020 · 16 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Distortion can be a surprisingly useful mix effect, if you know what you're doing. Mike Senior reveals several common applications, and explains how to get the best results in practice.

    Chapters
    00:00 - Introduction

    00:49 - Distortion for tonal change

    01:27 - Bringing sounds up front

    03:30 - Combatting upper-spectrum masking

    06:07 - Distorting rock lead vocals

    09:56 - Distorting bass

    13:16 - Practical implementation tips

    Credits
    This month's episode features audio examples from the following productions:

    * Alex Giddens: 'Get Blown'

    Read about my mix of this project in Sound On Sound's October 2009 'Mix Rescue' column at https://www.soundonsound.com/techniques/mix-rescue-alex-giddens

    * Flags: '54'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Flags

    Read about my mix of this project in Sound On Sound's March 2011 'Mix Rescue' column at https://www.soundonsound.com/techniques/mix-rescue-flags

    * Zeno: 'Signs'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Zeno

    Read about my mix of this project in Sound On Sound's March 2010 'Mix Rescue' column at https://www.soundonsound.com/techniques/mix-rescue-zeno

    * Actions: 'Devil's Words'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Actions

    For lots more mixing tips and audio examples relating to this project, listen to the February 2018 Cambridge-MT Patrons Podcast for free at https://www.patreon.com/posts/17201141

    Mike Senior Biog

    Mike Senior is a professional audio engineer, regular SOS contributor, and author of the best-selling books Mixing Secrets For The Small Studio & Recording Secrets For The Small Studio. He runs the Cambridge-MT educational resources site (including the web's largest free multitrack download library) and hosts two monthly independent podcasts, Project Studio Tea Break and the Cambridge-MT Patrons Podcast.

    Catch more shows on our other podcast channels: https:/…

22. Troubleshooting Acoustic Guitar Recordings - Mike Senior

    5 augustus 2020 · 16 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Mike Senior delves into some of the most common troubleshooting tasks when dealing with acoustic guitar recordings at mixdown, and shares his own favourite processing fixes.

    Chapters
    00:00 - Introduction

    01:13 - Unwanted subsonics

    04:16 - Undesirable resonances

    08:20 - Pick noise

    10:34 - Fret noise

    12:35 - Overbearing percussive components

    14:32 - Conclusion

    Credits
    This month's episode features audio examples from the following productions:

    * Ben Carrigan: 'We'll Talk About It All Tonight'

    http://www.bencarrigan.com/

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#BenCarrigan

    * The Wrong'uns: 'Rothko'

    https://myspace.com/wronguns

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#WrongUns

    Read about my mix of this project in Sound On Sound's March 2013 'Mix Rescue' column at https://www.soundonsound.com/techniques/mix-rescue-wronguns

    * Tom McKenzie: 'Directions'

    https://tommckenzie.bandcamp.com/

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#TomMcKenzie

    Read about my mix of this project in Sound On Sound's April 2013 'Mix Rescue' column at https://www.soundonsound.com/techniques/mix-rescue-tom-mckenzie

    * Fergessen: 'Nos Palpitants'

    http://www.fergessen.fr/

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Fergessen

    * Qupe: 'Ayni Nehirde'

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#Qupe

    * The Long Wait: 'Dark Horses'

    http://thelongwait.com/

    Download the full raw multitracks from https://cambridge-mt.com/ms/mtk/#LongWait

    * Bolz & Knecht: 'Summertime' & 'Matteo'

    http://www.bolzundknecht.de/

    Download the full raw multitracks for 'Summertime' from https://cambridge-mt.com/ms/mtk/#BolzKnecht

    Read about the recording sessions for 'Summertime' in Sound On Sound's August 2018 'Session Notes' column at https://www.soundonsound.com/techniques/session-notes-recording-acoustic-guitar-…

23. What Are Haas Delays, And How Do I Best Use Them? - Mike Senior

    8 juli 2020 · 16 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.

    Chapters
    00:00 - Introduction

    00:41 - Perception of short delays

    02:46 - From fused delay to Haas delay

    04:19 - Haas delays for stereo width

    05:25 - Haas delays for blend and distance

    09:26 - Haas delays for connecting panned doubletracks

    10:56 - Pitfalls with Haas delays

    14:50 - Summary

    Credits
    This month's episode features recordings from Johnny Lokke's 'Promises & Lies', Tom McKenzie's 'Directions', and Trafficker's 'My Father Never Loved Me'. If you'd like to try mixing these projects for yourself, you can download the full raw multitracks for them here:

    https://cambridge-mt.com/ms/mtk/#JohnnyLokke

    https://cambridge-mt.com/ms/mtk/#TomMcKenzie

    https://cambridge-mt.com/ms/mtk/#Trafficker

    These projects were also featured in Sound On Sound's 'Mix Rescue' column, in the January 2011, April 2013, and July 2018 issues respectively, which can be found in the magazine's article archives here:

    https://www.soundonsound.com/techniques/mix-rescue-mixing-metal

    https://www.soundonsound.com/techniques/mix-rescue-tom-mckenzie

    https://www.soundonsound.com/techniques/mix-rescue-trafficker

    Mike Senior Biog

    Mike Senior is a professional audio engineer, regular SOS contributor, and author of the best-selling books Mixing Secrets For The Small Studio & Recording Secrets For The Small Studio. He runs the Cambridge-MT educational resources site (including the web's largest free multitrack download library) and hosts two monthly independent podcasts, Project Studio Tea Break and the Cambridge-MT Patrons Podcast.

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

24. Why NOT To Use Cardioid Mics! - Mike Senior

    10 juni 2020 · 15 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Cardioid mics are tremendously popular amongst recording musicians, but can also work against you. In this episode, Mike Senior explains some of the reasons why, and illustrates how omni and figure-eight patterns can often give more useful results.

    Chapters
    00:00 - Introduction
    01:39 - Proximity-effect bass boost
    04:44 - Spotlighting
    05:48 - Low-end response at a distance
    06:40 - Off-axis tonal coloration
    09:06 - Insufficient spill rejection
    10:56 - Plosives and handling noise
    12:33 - The hand-held LDC trick
    14:11 - Summary

    If you'd like to listen more critically to the audio examples, you can download a high-resolution 24-bit/44.1kHz WAV of this whole episode from the podcast support page for this show https://www.soundonsound.com/techniques/why-not-use-cardioid-mics-mike-senior-podcast

    Credits
    This month's episode features recordings from David Tyo's 'Long Way Home'. You can check out more of David's great music here:

    https://davidtyo.bandcamp.com/

    If you'd like to try mixing 'Long Way Home' for yourself, you can download the full raw multitracks here:

    https://cambridge-mt.com/ms/mtk/#DavidTyo

    To read more about the low-spill figure-eight guitar-recording method, check out Neil Rogers's January 2014 'Session Notes' column:

    https://www.soundonsound.com/techniques/session-notes-thomas-rumbold-reds

    For more general advice about microphone polar patterns, try this March 2007 article by Paul White:

    https://www.soundonsound.com/techniques/using-microphone-polar-patterns-effectively

    Mike Senior Biog

    Mike Senior is a professional audio engineer, regular SOS contributor, and author of the best-selling books Mixing Secrets For The Small Studio & Recording Secrets For The Small Studio. He runs the Cambridge-MT educational resources site (including the web's largest free multitrack download library) and hosts two monthly independent podcasts, Project Studio Tea Break and the Cambridge-MT Patrons Podcast.

    Catch more sh…

25. Three Ways To Compress Snare - Mike Senior

    21 mei 2020 · 15 min

    Afspelen
    Mike Senior's Expert Tracking & Mixing Tips Lees meer

    Depending on how it's set up, compression can do radically different things to the sound of a snare drum. In this episode, Mike Senior explores three ways in which a compressor can help bring your snare tracks to life.

    Chapters

    00:00 - Introduction
    00:38 - Inconsistent snare hits
    05:24 - Sustaining snare hits
    08:16 - Enhancing attack
    12:30 - Summary

    If you'd like to listen more critically to the audio examples, you can download a high-resolution 24-bit/44.1kHz WAV of this whole episode from the podcast support page for this show https://www.soundonsound.com/techniques/three-ways-compress-snare-mike-senior-podcast

    Credits

    This month's episode features recordings from The Purple Hat Mob's 'Access Denied' and Dunning Kruger's 'Japan Song'. If you'd like to try mixing these projects for yourself, you can download the full raw multitracks for them here:

    http://cambridge-mt.com/ms/mtk/#PurpleHatMob

    http://cambridge-mt.com/ms/mtk/#DunningKruger

    These projects were also featured in Sound On Sound in the February 2020 'Mix Rescue' column, and in the October 2012 and February 2013 'Session Notes' columns, which can be found in the magazine's article archives here:

    https://www.soundonsound.com/techniques/mix-rescue-overcoming-room

    https://www.soundonsound.com/techniques/session-notes-0

    https://www.soundonsound.com/techniques/session-notes-writing-recording-cello-overdubs

    For more general advice about compressing all kinds of drums, check out this Sound On Sound cover feature from February 2017 called 'Drum Compression: Fashion The Sound You Want':

    https://www.soundonsound.com/techniques/compression-fashion-drum-sound-you-want

    Mike Senior Biog

    Mike Senior is a professional audio engineer, regular SOS contributor, and author of the best-selling books Mixing Secrets For The Small Studio & Recording Secrets For The Small Studio. He runs the Cambridge-MT educational resources site (including the web's largest free multitr…

26. SOS Podcast Trailer

    12 mei 2020 · 3 min

    Afspelen
    Introducing the Sound On Sound Podcasts. Yes, that’s podcasts, because we’re launching three dedicated channels each with their own series of episodes to keep you entertained throughout each month. Lees meer

    You’ll hear interviews, features, discussion, opinion and occasional demos of the gear we’re reviewing from many of the SOS magazine staff and our expert Freelance team.

    The Recording & Mixing channel takes the practical approach and will keep you inspired with expert hints and tips.

    You’ll hear interviews, features, discussion, opinion and occasional demos of the gear we’re reviewing from many of the SOS magazine staff and our expert Freelance team.

    The Recording & Mixing channel takes the practical approach and will keep you inspired with expert hints and tips.

    You should also hop over to our other channels and subscribe there for even more shows.

    The Electronic Music channel is for everyone interested in synths, samplers and the world of electronic music.

    The People & Music Industry channel will feature the great and good in engineering, production and manufacturing.

    We launch our first two shows on May 21st so subscribe now on Apple Podcasts, Google Play, Spotify or wherever you get your podcasts.

    All shows are mastered to the highest quality the podcast channel will support and are in stereo.

    Check out our website page for further details www.soundonsound.com/podcasts