True Techno Podcast
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Welcome to TU’s True Techno Podcast – the definitive, invite-only series curated by True Underground. Showcasing elite techno artists from across the global scene, each episode delivers powerful DJ sets and exclusive mixes spanning hard techno, industrial, acid, Detroit, raw, deep, hypnotic, hard groove, and hardstyle.
Expect nothing but high-energy, expertly curated sounds that define techno.
True Techno is syndicated worldwide via Apple Podcasts, Amazon Music, Deezer, Stitcher, Pandora, SoundCloud, and on www.trueunderground.one.
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Stigmatique – Raw Hypnotic and Pure | True Techno Podcast 112
24 september 2026 · 1 uur 18 min
© 2026 True Underground. All rights reserved. Lees meer
True Techno 112 Stigmatique: Analogue Hardware and Personal Turning Points
Germany’s techno underground retains its rawest impulse through dedicated local operators who resist commercial trends. Operating out of Leipzig, Stigmatique has spent the past decade shaping an uncompromising sonic identity defined by sub-bass weight, raw analogue hardware, and intense emotional narrative arcs.
His entry into professional music production followed a period of intense personal difficulty. A crucial encounter with a peer pursuing music provided the catalyst required to commit fully to studio composition.
He once told me that it was time for a turning point in my life and that, if I truly wanted to achieve my dream, I had to make a decision. So I did—and here I am.
The moniker itself roots directly in sociological theory regarding social judgment and isolation. Derived from experiences as an outsider, the name represents an intentional choice to channel personal marginalisation into raw warehouse audio.
The definition is as follows: Stigmatization is the social process in which individuals or groups are negatively judged, excluded, or discriminated against because of certain characteristics that are perceived as deviating from the norm. The affected person is reduced to that single characteristic, often resulting in prejudice and social disadvantage. I used to be a loner because of my past, which is why I identified so strongly with that definition.
Stigmatique Techno Podcast Feature: Independent Label Ethos and Studio Mechanics
In 2018, that outsider perspective led directly to the establishment of SEELEN. Records alongside co-founder JANEIN. The label introduced a sharp punk edge to the German techno environment, delivering raw pressings well ahead of the broader shift toward higher tempo styles.
Back then—and still today—we simply captured the sound of the moment. Long before other styles of techno or faster music becam…
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Pan-Pot Live From Greenfields | True Techno Podcast 111
3 september 2026
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Pan-Pot discuss sub-bass physics, Minimoog Voyager sound design, and their dual-label evolution across SECOND STATE and HUMAN.
Pan-Pot, the Berlin-based techno duo of Tassilo Ippenberger and Thomas Benedix, have detailed their production acoustics, sidechain mechanics, and label philosophy in an extensive exploration of modern club dynamics. The discussion accompanies their live recording for episode 111 of the True Techno mix series on SoundCloud and the dual-label release of Everytime.
In the humid intensity of a Munich night, the dancefloor at Greenfields pulsed with a raw, collective force that Pan-Pot know intimately. Tassilo Ippenberger, one half of the duo and a native of the surrounding area, describes it as something close to a home game. Their recent live set for the True Techno mix series captured that energy from the first track, the crowd’s enthusiasm translating into an unrelenting momentum that leaps off the recording.
“It was intense from the very beginning. The Munich crowd is always incredibly enthusiastic, and you can really hear that energy in the recording. It gave the set a strong momentum right from the opening track… That connection made the atmosphere even more special, and we think it translated very naturally into the recording.”
That same drive for physical connection and hypnotic immersion runs through their latest single, Everytime. Released jointly across SECOND STATE and HUMAN, the track is built around a hyperdriving vocal sample that functions less like a traditional arrangement anchor and more like a mechanical centrifuge, spinning the listener deeper into the groove with each repetition. The spark came from a shared love of loopy, hypnotic house records.
“We wanted to capture that same kind of energy, where a simple element repeats and gradually pulls you deeper into the groove. When we found this vocal phrase, it immediately did exactly that for us. It has this addictive qualit…
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Praecox – Raw Hypnotic and Pure | True Techno Podcast 110
6 augustus 2026 · 1 uur 11 min
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True Techno 110: Introducing Praecox. Jerzy Przeździecki’s Thirty-Year Journey Through Industrial Electronics and Buchla Sound
True Techno 110 arrives as both a mix and a map. Warsaw producer Jerzy Przeździecki, working across the names Praecox, Epi Centrum and his own, steps into the True Underground series with a recording that traces more than three decades of electronic music. Released in August 2026, the set gathers material from his principal projects and draws a clear line from the radical energy of 1990s Polish underground culture to the hardware-focused experimentation that defines his work today.
Key Takeaways
True Techno 110 was assembled by Jerzy Przeździecki as a purposeful passage through three production identities, successive eras of his career, and the shifting styles that formed his approach over thirty-plus years.
Buchla modular instruments, the Triple Morphing Filter and carefully controlled acoustic feedback networks provided the core tools for the dense, unsettled textures heard on his Epi Centrum releases for Trapez and Affin.
A new album under the name Jerzy Przeździecki, drawing on Detroit techno influences, is prepared for release on Poland’s IDO Records in autumn 2026.Picture Warsaw in the 1990s: the National Stadium market thick with residual tension, heroin a visible presence on the streets, organised crime simply part of the city’s fabric. At the same time, strobe lights cut through LSD fog in clubs, illegal parties flared in surrounding forests, and the Academy of Fine Arts operated as a permanent engine of rebellious ideas. Cassette players ran constantly in the studios. Students staged events that regularly escaped official oversight. From that charged atmosphere stepped Jerzy Przeździecki, a producer who has spent his career refusing simple labels, moving between the identities of Praecox, Epi Centrum and his given name.
True Techno 110 captures that restless movement. The mix is…
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PETRU KSS – Raw Hypnotic and Pure | True Techno Podcast 109
24 juni 2026 · 1 uur
© 2026 True Underground. All rights reserved. Lees meer
Petru KSS: Raw, Hypnotic and Pure on True Techno Podcast 109
Corsican electronic music producer PETRU KSS delivers an expertly curated 33-track set for True Techno Podcast 109, released on 24 June 2026. The broadcast integrates his performance philosophy with material from his debut album, Kolibri Live LP, recorded during a continuous live take at sunrise on a remote Corsican hilltop. His long play anchors his hardware-centric framework developed under the mentorship of Richie Hawtin at the University of Huddersfield.
Key Takeaways
PETRU KSS developed the THRiPPS performance system while holding the Richie Hawtin PhD Scholarship in Electronic Music at the University of Huddersfield.
The debut album Kolibri Live LP acts as the central proof of concept for this ongoing live performance research.
True Techno Podcast 109 performance compresses a multi-hour club timeline into a focused 60-minute intense progression.
His core aesthetic framework WYHWYT completely removes digital screens and mouse interaction from the live workflow.
The album’s raw multi-track recordings were engineered by Hannes Bieger and mastered by the Calyx engineering team to preserve performance volatility.
PETRU KSS anchors True Techno Podcast 109 with a performance that highlights his hardware-focused sonic philosophy. This broadcast represents his deep technical expertise into standard club environments. By prioritizing narrative flow over standard club trends, his curated selection creates a direct link between his live energy and club dynamics.
The performance directly expands upon his debut long-player, Kolibri Live LP, which was recorded under extreme environmental constraints. For the album, PETRU KSS carried his production setup up a remote Corsican hillside in total darkness to capture a continuous sunrise take. Managing heavy equipment in shifting temperatures and high humidity introduced random variables that actively shaped the re…
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Kadric – Hypnotic & Hardgroove | True Techno Podcast 108
9 juni 2026 · 2 uur
© 2026 True Underground. All rights reserved. Lees meer
Kadric True Techno Podcast Edition Links Bern’s Raw Underground Scene
Swiss techno producer and Solid Dark label co-owner Cédric Mokus, performing under his Kadric moniker, has delivered the latest edition of the Kadric True Techno podcast directly from the underground circuit of Bern, Switzerland. This hard-hitting audio presentation showcases his evolution from early minimal rhythms into a heavy, peak-time sonic blueprint. By positioning raw hypnotic power at the centre of the mix, the execution addresses a growing regional demand for immersive, compromise-free dancefloor movements.
Music became a core element of the producer’s identity during his school years, spent composing original works and performing in traditional bands. A pivotal club night in Bern redirected that creative focus entirely toward electronic frequencies. His initial venture into production arrived via the minimal tech project Krafteck, capturing international attention with releases on prominent labels including Reload Records, Hungry Koala, DC10, and Doubsquare Records. The early track Madness climbed to number 98 in the Beatport Minimal Techno chart, establishing a technical foundation that would later undergo a radical transformation.
In 2019, Mokus closed the minimal chapter to launch his current identity. The transition reflected a calculated shift toward a weightier, more menacing sonic territory, mirroring the hardening preferences of the broader European club scene.
“The transition was less about leaving something behind and more about a natural evolution of my artistic vision,” Kadric explains. “Over time, my taste shifted more and more towards darker, hypnotic and high-energy sounds. At the same time, the Swiss underground scene evolved, creating a growing demand for intense, emotional and immersive dancefloor experiences. Kadric gave me the opportunity to fully embrace that direction and express my creativity without limitations.”…
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DEAS – Raw, Hypnotic and Pure | True Techno Podcast 107
5 juni 2026 · 56 min
© 2026 True Underground. All rights reserved. Lees meer
DEAS on Resisting Industry Commercialisation
In an exclusive interview for Change Underground Polish techno producer DEAS (Karol Mozgawa) addressed the commercialisation of modern club culture and discusses his hardware production methodology. In this exclusive feature for true techno podcast 107, broadcasting from his studio base in Krakow, Poland to the global underground community. Greek-born and Poland-based, DEAS has carved an uncompromising path from local residencies at Smolna and Tama to international stages including Awakenings, Extrema, and E1 London. With a sonic footprint spanning CLR, ARTS, and Planet Rhythm, his output remains fiercely rooted in hypnotic grooves, live hardware interaction, and an uncompromised artistic vision. We sat down with DEAS to talk analogue obsession, the evolution of his sound, the expansion and occasional dilution of the global techno scene, and why authenticity still matters more than follower counts.
Hardware Journeys and One-of-a-Kind Grooves
DEAS has long held a reputation as a dedicated hardware specialist, though his relationship with machinery is more collaborative than dogmatic. While software plays a functional role in his workflow, the driving energy of his music stems from the tactile, unpredictable feedback loops of physical gear. He approaches music production not as a rigid programming exercise, but as an unfolding journey where the final track acts essentially as a natural side effect of the physical process.
This hands-on methodology yields tracks and DJ sets with a distinct, lived-in texture; hypnotic, precise, yet continually inventive. It is groove-focused techno built for long-form dancefloor immersion rather than instantaneous algorithmic satisfaction. His recent Drifted Off EP on ARTS showcases this ongoing structural evolution, weaving spoken-word elements and subtle melodic layers into his signature driving atmospheres without altering his core artist…
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Juheun – Robotic Soul & Underground Philosophy | True Techno Podcast 106
15 april 2026 · 1 uur
© 2026 True Underground. All rights reserved. Lees meer
The Psychology of the Reset: Juheun’s Mission for the Underground
Juheun’s trajectory is a study in creative survival. After over a decade performing as DJ Tranzit in the American house scene, he faced a choice: continue playing tracks he didn’t like to satisfy a commercial bottle-service culture, or return to the “faceless” roots that originally defined his love for electronic music. His return to techno was a reclamation of mental health and artistic clarity, a move away from the “noise” of social media influencers and toward the raw, mechanical soul of the machine.
“With so much noise these days coming at us from social media, influencers, and AI… it’s very easy to get lost and forget why we are here in the first place. It’s always been very important to stay grounded and focus on the music. Sometimes the easy way out is to follow trends, but that doesn’t do anything for you in the long run.”
This grounding is maintained through a rigid discipline system. In an industry that demands constant output, Juheun relies on a “dialled-in schedule” to prevent the burnout that comes from constant comparison. He views the studio as a laboratory where he controls electricity—converting vibrations into futuristic frequencies. Yet, he is quick to identify the trap of repetition; for Juheun, innovation isn’t just about adding new sounds, but knowing when to strip everything back to its fundamentals.
“Learning to become a good producer is knowing when to stop, and knowing when its time to shift gears or even give up on an idea. One of the best studio tips I’ve gotten is to start deleting parts and pieces when you hit a dead end. Even just muting channels and stripping it all back down to its fundamentals have done wonders.”
Juheun’s perspective on the “business layer” of the industry is equally uncompromising. He views the current ecosystem as one that has devalued the art form through over-accessibility. From over-produced ev…
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Ilona Maras – Peak Time Techno Mix | True Techno 105
25 maart 2026 · 1 uur 3 min
© 2026 True Underground. All rights reserved. Lees meer
Ilona Maras – True Techno 105: Discusses Her Hive Residency and Narrative Energy
Ilona Maras anchors this edition of True Techno, showcasing the clinical technicality and raw emotional weight that have fuelled her trajectory through the underground. Based in Zürich and maintaining a residency at the influential Hive club, Maras provides an exclusive look into her creative process following her recent EP on MJA the Vision. Her sound – a sophisticated blend of Eastern melodies and raw acid textures – has earned her the backing of industry heavyweights like Richie Hawtin and positions her as a definitive voice in contemporary techno.
For Maras, the evolution from a hobbyist to a central figure in the scene was a gradual realisation of purpose. The transition occurred as she noticed her focus shifting towards the minutiae of performance and the psychological impact of the booth. “It wasn’t one big moment, more a quiet realisation that kept getting louder over time,” she reflects. “I noticed how deeply I cared about every detail, every transition, every reaction from the crowd. At some point, it became clear this wasn’t something I did for fun after work; it was how I experience the world.”
The Hive Residency: Illona Maras Technical Education
The Hive in Zürich serves as both a creative anchor and a testing ground for Maras’ output. Her residency has required her to navigate diverse time slots and floors, a process that demands an acute level of crowd empathy and technical adaptability. This experience has shaped her ability to work a room without relying on cheap tropes or forced energy.
“You can’t force energy in that space; you have to read the room and build it slowly, earn trust step by step. It taught me that sometimes less is more, and that people will go with you if you’re honest, not if you’re trying to impress them.” – Ilona Maras
This grounded approach extends to her high-pressure performances, including pl…
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Simone Zino – Raw Industrial Techno Mix | True Techno 104
10 maart 2026 · 1 uur 15 min
© 2026 True Underground. All rights reserved. Lees meer
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Lola Kay | True Techno 103
18 december 2025 · 1 uur 3 min
© 2026 True Underground. All rights reserved. Lees meer
Lola Kay’s relationship with music was never passive. It was lived, absorbed, and embodied long before she ever stood behind a booth.
Growing up in Minsk, Belarus, Lola Kay‘s childhood unfolded inside theatres rather than classrooms, shaped by the backstage corridors where her mother worked and where atmosphere, tension, and emotion were constructed night after night. Drama, sound, and silence all had purpose. At the same time, she was already dancing, learning intuitively how rhythm moves the body and how music alters mood. That early immersion taught her something foundational: music is not decoration, it is architecture
As a child, Lola Kay was introspective and self-directed, spending long stretches alone with records and artwork. Electronic music arrived early, not through trends but through curiosity. Digging became instinctive. The raw energy and strange aggression of The Prodigy left a lasting imprint, a first encounter with electronic music that felt unruly, physical, and alive. It was less about genre and more about sensation, something she would later return to again and again.
Dance became her first profession, and with it came a deep study of musical cultures. Classical, jazz, swing, and the lineage of artists like Duke Ellington and Louis Armstrong were not abstract references but living histories she felt through movement. Each dance style demanded immersion into its cultural context, its era, its emotional code. Music was never separated from place, time, or identity. That obsession with understanding where sound comes from still underpins her approach today, whether she is producing or layering four decks into a single evolving narrative.
Her DJ sets are built with the body in mind. Groove dictates structure. Energy dictates pacing. Tracks are not standalone moments but emotional blocks that create tension, release, and continuity. Theatre remains present in her work, not as spectacle, but as cohes…
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