Talking Frames

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1. 51 Blake Andrews Finding Your Visual Voice in Street Photography

   4 november 2026 · 1 uur 7 min

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   This conversation with photographer and writer Blake Andrews explores a photographic life shaped by curiosity, independence and a willingness to embrace uncertainty. Beginning with a single photography class in Portland in 1993, Blake reflects on how photography gradually overtook his creative life over the following years, becoming less a hobby and more a way of moving through the world. What started as an interest evolved into a lifelong practice that has now accompanied him for more than three decades. Lees meer

   Throughout the discussion, Blake traces the evolution of his visual approach. His early photographs were heavily influenced by formal composition, geometry and photographers such as Lee Friedlander, with images carefully constructed like intricate visual puzzles. Over time, however, he found himself drawn towards a looser, more intuitive way of working. Today, he is increasingly interested in accidents, ambiguity and photographs that resist immediate explanation. Rather than seeking resolution, Blake looks for images that leave viewers with questions and encourage repeated viewing.

   Tim Bingham and Blake also discuss the changing landscape of photography, particularly the contrast between developing as a photographer in the pre-social media era and today's image-saturated environment. Blake explains how books, libraries and personal experimentation shaped his education, allowing him to develop a photographic language free from the influence of online trends. While acknowledging the benefits of social media, he expresses concern that platforms such as Instagram can encourage visual conformity, making it harder for emerging photographers to find an authentic voice. His advice is simple but challenging: pay attention to your own instincts and ways of seeing rather than chasing popular aesthetics.

   The conversation offers a detailed insight into Blake's analogue working process. Shooting exclusively on film, he develops negatives at home before producing proof sheets…

2. 50 Gus Powell on Street Photography, Photobooks & The Art of Looking

   15 oktober 2026 · 1 uur 25 min

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   In this episode Tim Bingham is joined by Gus Powell for a wide-ranging conversation about photography, creativity and the experiences that have shaped his distinctive approach to making pictures. Lees meer

   Although widely recognised for his street photography, Gus's work reaches beyond the conventions of the genre. His photographs often find meaning in subtle gestures, unexpected juxtapositions and moments that might otherwise pass unnoticed. Rather than searching for the extraordinary, he is interested in what happens when we pay closer attention to the ordinary. We explore how this way of seeing developed and why remaining curious is so important to his creative process.

   The conversation moves through the influences that have shaped Gus’s thinking, including the unexpected connections between photography, poetry and everyday life. We discuss the role of mentorship, the importance of learning to see differently and how experiences outside photography can profoundly influence the way we make pictures.

   Editing and sequencing are also central to our discussion. Making photographs is only one part of the process; deciding which images belong together, how they relate to one another and what emerges from their arrangement can be just as important. Gus reflects on the challenges of developing a coherent body of work and the discoveries that can happen when photographs are brought together.

   We also explore his fascination with the photobook and the relationship between photographs, design and the physical object. For Gus , a book is much more than a collection of images. It is an opportunity to experiment, make connections and create an experience for the reader that goes beyond looking at individual photographs.

   As the conversation develops, we touch on the personal experiences behind some of his work, the unpredictable nature of creative projects and the importance of allowing ideas to evolve. We also discuss what happens when an established photographer steps outside famil…

3. 49 Michael Young Bronx Street Photography, Community & the Power of Connection

   23 september 2026 · 1 uur 43 min

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   In this episode Tim Bingham is joined by Michael Young Lees meer

   Michael discusses his journey from a 20-year career in corporate finance to becoming a full-time photographer and educator. Photography began as a form of healing after the death of a friend, whose Pentax camera Michael acquired. His creative background in musical theatre, music, and breakdancing strongly influenced his photographic approach, particularly his sensitivity to movement, timing, light, and shadow.

   Michael talks about developing his street photography through ideas such as Henri Cartier-Bresson's “Decisive Moment,” learning from other photographers, and finding compositions where the world can unfold naturally. His move from Brooklyn to the Bronx also transformed his relationship with the borough. Through photography, he began seeing beauty, humanity, and everyday stories that had previously been overlooked, creating an ongoing visual archive of the Bronx.

   His work is deeply connected to community and personal experience. Projects such as his photographs of Black fathers and children led to inclusion in Framing Fatherhood and an exhibition at Photoville, while his series Sometimes I See Michael explores his father's experience with homelessness and the human condition without resorting to stereotypes.

   Michael credits mentors including Jamel Shabazz, Richard Sandler, and Mike Camber with helping him develop as a photographer and understand photography as a form of connection and “visual medicine.” His involvement with the Bronx Documentary Center eventually led to his work as an education coordinator, where he teaches seniors, veterans, and intergenerational groups.

   Teaching has become an important part of Michael's practice. He describes photography as a source of validation and healing for his students, particularly seniors who had never experienced having a professional portrait taken.

   Ultimately, his story is about photography as more than image-making: it is a way of healing, building comm…

4. 48 Richard Sandler The Art of Street Photography and New York

   9 september 2026 · 1 uur 42 min

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   In conversation Tim Bingham is joined by Richard Sandler and explores how one of New York’s most distinctive street photographers developed his eye, his craft and his philosophy of seeing. Richard reflects on an unconventional upbringing in New York, early encounters with creativity, and the winding path that eventually led him to photography. He talks about the mentors who shaped him, the analogue traditions that grounded his work, and the instinctive approach that became central to his style. Lees meer

   The discussion moves through Richard’s return to New York during a turbulent era, his fascination with the city’s energy, and the discipline required to photograph while raising a child alone. He shares insights into how photographers learn to see — the relationships between movement, stillness, foreground and background — and how a single frame can hold humour, tension and contradiction at once.

   Throughout the conversation, Richard reflects on the role of craft, authenticity and mistakes in shaping a photographer’s voice. He also touches on the unexpected stories that sometimes emerge from his images years later, revealing how photographs can continue to evolve long after they’re taken.

   This episode is ultimately about curiosity, mentorship, and the lifelong process of learning to observe the world with clarity and intention.

   Richard Sandler Website

   Richard Sandler Instagram

   Talking Frames Instagram

5. 46 Julie Hrudová on Street Photography, Visual Storytelling and Finding the Surreal in Everyday Life

   26 augustus 2026 · 45 min

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   The conversation between Tim Bingham and Julie Hrudová offered a fascinating insight into her distinctive approach to photography, creative storytelling, and the long-term projects that have defined her career. Throughout the discussion, Julie revealed how curiosity, careful observation, and a sense of humour lie at the heart of her work, whether she is producing commissioned assignments or pursuing deeply personal documentary projects. Lees meer

   A significant part of the conversation focused on her ongoing commission for Amsterdam's leading newspaper, Het Parool, where she creates a full-page vertical street photograph every week. Rather than viewing creative limitations as restrictive, Julie explained that they often become the catalyst for stronger work. Working within clearly defined parameters—whether shooting exclusively in a vertical format, using black and white, or concentrating on a specific neighbourhood—encourages her to look more closely at familiar surroundings and discover photographs that might otherwise be overlooked. For Julie, constraints provide focus, consistency, and a framework that nurtures creativity rather than suppressing it.

   Julie reflected on the two major photographic series she has created for Het Parool. The first documented Amsterdam during the COVID-19 pandemic, capturing a city that had suddenly become quiet, empty, and unfamiliar. Photographing these transformed streets presented both creative and emotional challenges, forcing her to find visual stories in an environment stripped of its usual energy. Her current project explores Amsterdam after dark, where artificial light, shadows, and reflections reshape ordinary streets into cinematic, atmospheric scenes. She described how the city's diverse neighbourhoods, cultures, and vibrant public spaces ensure there is always another story waiting to be discovered.

   One of Julie's most celebrated personal projects centres on Amsterdam's urban herons. What began as an observation of birds living …

6. 47 Kieron Beard Seeing Beyond the Surface Through Street Photography

   12 augustus 2026 · 53 min

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   Tim interviews Kieron Beard, a former firefighter turned street photographer based in Switzerland, about his journey into photography and how his previous career has shaped his approach to photographing strangers. Lees meer

   Kieron explains how years of working as a firefighter gave him the confidence to communicate with people in difficult and unpredictable situations—an experience that now helps him approach strangers on the street. He also discusses the challenges of photographing in Geneva, where concerns around privacy mean photographers are more likely to be questioned than in UK cities.

   Working exclusively in black and white with a Leica M11 Monochrom and primarily a 35mm lens, Kieron talks about his preference for being physically close to the scene rather than observing from a distance. He explores how black and white removes distractions and, for him, creates a stronger connection to emotion, memory and atmosphere.

   The conversation also looks at Kieron's changing relationship with social media. Moving away from the pursuit of likes and external validation, he is increasingly focused on creating meaningful bodies of work, exploring what lies beneath the surface of everyday street scenes, and using his website, writing and workshops to give his photography greater context.

   Kieron also discusses the ethics of street photography, emphasising patience, respect and the importance of never exploiting vulnerable people for commercial gain. He explains why he is always prepared to talk to people about his photographs—and, if necessary, delete an image if someone objects.

   A thoughtful conversation about street photography, ethics, confidence, black-and-white photography and finding greater meaning in the work beyond social media.

   Kieron Website

   Kieron Instagram

7. 45 Markus Andersen Documentary Photography, Black & White Storytelling & Long‑Term Projects

   29 juli 2026 · 56 min

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   Australian photographer Markus Andersen joins Tim Bingham for a thoughtful and deeply personal conversation about photography, creativity, and finding meaning through long-term documentary work. Known for his powerful black-and-white imagery, Markus explains why he has never felt comfortable with the label of street photographer, preferring instead to describe himself as a documentary photographer whose projects are built over months, sometimes years, rather than from isolated moments captured at random. Lees meer

   Markus reflects on the evolution of his photographic journey through the publication of three very different books. From the gritty monochrome work of Rage Against the Light, to a vibrant colour study of Sydney's Cabramatta community photographed over the course of a Lunar New Year, and finally the experimental Intimate, created with an extraordinary 1300mm lens from just a metre away, each project represents a distinct chapter in his creative life. Together they reveal a photographer who is constantly challenging both his vision and the way he sees the world.

   At the heart of Markus's work is a fascination with the unexpected. He talks about trusting instinct, recognising when seemingly unrelated elements begin to align, and waiting patiently for those fleeting moments that cannot be planned. Although chance plays an important role in his photographs, Markus reveals that his work is anything but random. Every project begins with a clear idea, develops over 12 to 18 months, and is driven by purpose rather than simply collecting interesting images.

   The conversation explores the tools that help shape his distinctive style, from the Nikon ZF and Sony RX100 to the film cameras he continues to use today. Markus also shares the story of selling his Leica cameras, Rolleiflex and X-Pan during the rise of digital photography—a decision he still regrets—and explains why he occasionally returns to an ageing iPhone loaded with Hipstamatic to recreate the imperfections and ch…

8. 44 James Clifford Kent: Documentary Photography, Cuba, the NHS, and the Art of Human Connection

   15 juli 2026 · 1 uur 16 min

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   Tim Bingham is joined by photographer James Clifford Kent, whose thoughtful and compassionate approach to documentary photography has seen him spend more than two decades exploring identity, memory, community, healthcare, and social change. Based in London, James blends documentary reportage, portraiture, and socially engaged photography to create work rooted in empathy, curiosity, and genuine human connection. Lees meer

   In this episode, James explains why he resists being confined by labels such as street photographer, instead embracing a reactive, people-centred approach to making photographs. He discusses the influence of Diane Arbus, Don McCullin, and Henri Cartier-Bresson, and reflects on why the most powerful images come from emotional engagement rather than simply recording events.

   A significant part of the conversation focuses on James's long-term work in Cuba, a project that began while teaching English in Havana and has evolved over more than twenty years into an important body of documentary photography. He shares the stories behind the project and discusses his forthcoming photobook, Yuma, due for publication in 2026, exploring the relationships, trust, and cultural understanding developed over decades of returning to the island.

   James also talks about his acclaimed work documenting the NHS, photographing operating theatres, maternity wards, midwives, and healthcare professionals. His photographs have been published by The Guardian, The Times, BBC News, British Journal of Photography, and The Lancet. His NHS-supported project Maternity won The Lancet Photography Prize and was selected for both Portrait of Britain and Portrait of Humanity, highlighting his commitment to portraying people with honesty, dignity, and respect.

   The conversation explores James's wider achievements within contemporary photography. His Cuba project NHMN – "No hay más na'!" was selected for both the Royal Academy Summer Exhibition and the Taylor Wessing Photographic Portrait Prize at t…

9. 43 Amin Yousefi: Photography, Memory, and Archives

   1 juli 2026 · 1 uur 14 min

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   In this episode of Talking Frames, Tim is joined by London-based Iranian photographer, researcher and visual artist Amin Yousefi. Originally trained as a documentary photographer in Iran, Amin's practice has evolved into a research-led exploration of photography, memory, history and archival practice. Amin has rapidly gained significant international recognition as one of the most exciting emerging voices in contemporary photography. His work has been exhibited widely across Europe and beyond, he was named a Foam Talent 2024–25, received the Royal Photographic Society's Award for Achievement in the Art of Photography (Under 30), and his first monograph, Eyes Dazzle, is published by Luhx Press with an essay by renowned photography writer and curator David Campany. Lees meer

   Growing up in Abadan, a city profoundly shaped by the Iran-Iraq War and the country's oil industry, Amin developed an acute awareness of how landscapes, personal histories and political events become embedded in collective memory. These formative experiences continue to influence his work, which examines the ways photographs preserve, conceal and transform history, inviting viewers to look beyond the obvious and reconsider familiar narratives.

   The conversation centres on Amin's acclaimed project Eyes Dazzle, which began with a simple but remarkable discovery. While closely examining published photographs from the 1979 Iranian Revolution with a magnifying loupe, he noticed individuals within the crowds looking directly back at the photographer rather than at the unfolding events. Those overlooked gazes became the foundation of a project that reactivates archival photographs, revealing stories and relationships that had remained hidden in plain sight. Rather than altering the original images, Amin isolates these moments to encourage a new way of seeing history and the people who lived through it.

   Tim and Amin discuss the ethical questions surrounding the use of archival photographs, with Amin explaining w…

10. 42 Homeland Lost Photography, Memory and Palestinian Refugees

    17 juni 2026 · 1 uur 3 min

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    In this episode Tim Bingham speaks with documentary photographer Alan Gignoux, curator Jenny Christensson, and long-time collaborator Chloe Juno in a conversation about Homeland Lost — a twenty-year photographic project documenting the lives, memories, and histories of Palestinian refugees displaced from their villages in 1948. Lees meer

    Based in London, Alan began the project while living in Beirut, where everyday encounters with Palestinian refugees revealed a striking reality: despite the scale and significance of their displacement, many of these personal histories remained little understood beyond the region. What began as a photographic exploration evolved into a long-term commitment to preserving stories of loss, resilience, identity, and belonging.

    Now, two decades later, Homeland Lost returns in a new form through an exhibition at P21 Gallery in London, running from 2–10 July. The exhibition combines updated testimonies, large-scale photographic works, and an immersive audiovisual installation, creating a deeper and more layered experience of the project's themes and its participants' stories.

    Alongside the exhibition, the team are developing a self-published photobook that will bring together every participant photographed throughout the project's twenty-year history. Designed as a complete archive of the work, the publication aims to remain accessible, comprehensive, and faithful to the project's original ethos.

    Together, we discuss the responsibilities of long-term documentary practice, the role of photography in preserving collective memory, the complexities of representation, and how images can help connect audiences with histories that might otherwise be overlooked or forgotten.

    Homeland Lost Project

    Alan Gignoux Website

    Jenny Christensson

    Chloe Juno Website

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